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Liam Neeson and Lesley Manville are really great here. They really do carry this film. Since it is primarily focused on these two characters and pretty much no one else. Liam Neeson is really great here and it makes me wonder why he hasn't done more action films.
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Actors=Tim Robbins / / Rating=3625 Vote / Writed by=Matthew Michael Carnahan / Directed by=Todd Haynes / 8,3 of 10. Dark waters vladimir. Dark waters cleveland. Dark waters youtube channel. The New York Times Magazine recently published an in-depth story titled "The Lawyer Who Became DuPont's Worst Nightmare. " The story follows Rob Bilott, a lawyer who took on an environmental suit that would completely alter his career and expose a decades-long cover up of toxic pollution. DuPont is one of the largest chemical companies in the world, holding tremendous power despite its numerous wrongdoings. 1 Here are five things you should know about the industry giant: 1. DuPont knew it was polluting communities with a toxic chemical, but kept it quiet for decades. In 1951, DuPont began purchasing a chemical called perfluorooctanoic acid (PFOA) for use in manufacturing Teflon. DuPont was given specific instructions on how to dispose of this chemical — it was to be incinerated or sent to chemical-waste facilities. 2 But in the following decades, DuPont pumped hundreds of thousands of pounds of the chemical from its Parkersburg, West Virginia plant into the Ohio River. DuPont also dumped thousands of tons of PFOA sludge into pits, where it seeped straight into the ground and contaminated the drinking water of nearby communities. 2 As they continued to pollute, DuPont was conducting research on PFOA, and as early as the 1960s knew that it could cause organ damage in animals. 2 In the 1970s, DuPont found that there were high concentrations of the toxic chemical in the blood of their workers employed at Washington Works, a waste landfill where they disposed of PFOA. They failed to tell their workers about this discovery. 2 In the 1980s, after learning that PFOA causes birth defects in rats, DuPont confirmed that the chemical was affecting their workers' health. They tested the children of pregnant employees in their Teflon division, and found that of seven births, two had eye defects. 2 Even then, DuPont did not make the information public. By the 1990s, DuPont understood that PFOA caused cancerous testicular, pancreatic and liver tumors in lab animals. And in 1993, they created a slightly safer alternative to PFOA, but decided not to switch to the new compound because they worried it might not work as well and would jeopardize their profit. 2 In 2006, after years of legal battles, DuPont reached a $16. 5 million settlement with the Environmental Protection Agency (EPA) for concealing its knowledge of PFOA's toxicity and presence in the environment. This fine, while a huge civil penalty (the largest the EPA has obtained in its history at that point), was a drop in the bucket for DuPont, representing less than two percent of the company's profits earned by PFOA that year. 2 2. As of October 2015, 3, 535 plaintiffs have filed personal-injury lawsuits against DuPont for harm from PFOA. The first of 3, 535 plaintiffs went to court last fall, arguing that DuPont had leaked PFOA into drinking water in Ohio and West Virginia, causing her kidney cancer. DuPont was found liable for Carla Bartlett's cancer, and Bartlett was awarded $1. 6 million in damages. "This is not a run-of-the-mill case. This was allegedly a systematic behavior. It doesn't sound like an accident. It sounds worse than an accident, " said Carl Tobias, a professor of law at the University of Richmond in Virginia about the personal-injury lawsuit. 3 DuPont's lawyer, Damond Mace, denied the causal link between PFOA and cancer, saying it is not harmful or regulated by the EPA's National Primary Drinking Water Regulations list of contaminants. "There were no laws restricting the use of it, " said Mace. 3 This point speaks to how weak our federal regulation of toxic chemicals is; sadly, it's no surprise that PFOA is not restricted. There is so little regulatory oversight of these chemical companies that toxic chemicals can easily slip through the cracks. "We see a situation that has gone from Washington Works, to statewide, to the United States, and now it's everywhere, it's global. We've taken the cap off something here. But it's not just DuPont. Good God. There are over 60, 000 unregulated chemicals out there right now. We have no idea what we're talking, " said Joe Kiger, a resident of Parkersburg, West Virginia, whose drinking water was contaminated with PFOA. 2 Rob Bilott, the lawyer who uncovered DuPont's decades-long cover up and fought for appropriate repercussions, is currently litigating Wolf v. DuPont, the second of the personal-injury cases against DuPont. The plaintiff, John Wolf of Parkersburg, West Virginia, argues that PFOA in his drinking water caused him to develop ulcerative colitis, and his trial begins in March. 2 3. DuPont never admitted liability When DuPont reached a settlement with the EPA in 2006 after being accused of concealing its knowledge of PFOA's toxicity and presence in the environment, it had to pay up millions, but never had to admit liability. Throughout the decades, DuPont has continued to deny, deny, deny. They've denied the toxicity of PFOA, they've denied their knowledge of the subject, and they've denied wrongdoing in case after case after case. 4 In fact, in July of 2015, DuPont created the Chemours Company, a spinoff from DuPont's Teflon unit. Residents of Ohio and West Virginia view this spinoff as an attempt to separate DuPont from Teflon-related legal troubles. In 2004, DuPont agreed to pay $235 million to monitor the health of residents around Parkersburg, Virginia. Now, with Chemours in debt and assuming DuPont's PFOA liabilities, there is concern that DuPont is evading its responsibilities. 5 4. Safety records at DuPont plants are inexcusable On November 15th, 2014, four employees were killed in an incident at a DuPont plant in La Porte, Texas. The U. S. Chemical Safety Board's investigation found lapses and failures in DuPont's safety planning and procedures that regularly put workers and the surrounding community at risk, and concluded that with appropriate safety procedures, the fatal toxic leak could have been prevented. 6 DuPont is not alone — many of the largest chemical companies in the country have had similar safety problems — but the company is a crucial illustration of the larger problem. Powerful chemical companies fail to implement adequate safety regulations, they are investigated and eventually fined, and nothing changes. Fines aren't changing safety behavior because even the largest ones mean nothing to these companies. In their 2015 report "Blowing Smoke, " the Center for Effective Government (CEG) explains the ineffectiveness of fines: "DuPont reported $3. 6 billion in profits in 2014, or around $6, 849 per minute. At that rate, the company would have been able to pay off the two OSHA penalties with just under an hour's worth of profits. " 7 Fine after fine may come, but the pattern remains the same. CEG's report found that DuPont has had 125 serious safety violations, resulting in more than $3 million in penalties. 7 In the face of all its problems, DuPont remains a big player, serving on the board of the American Chemistry Council. The company spent more than $24 million between 2012 and 2014 lobbying Congress and federal agencies, so it's no surprise that no serious attempt to improve safety regulations for DuPont or any chemical manufacturer have been made. 7 5. DuPont recently merged with Dow to become a $130 billion chemical giant DuPont and Dow Chemical Co. announced a mega-merger in December of last year that will create chemical giant DowDuPont. 8 DowDuPont will break into three separate companies in the next two years, each one specializing in one area: agriculture, material science, and specialty products. 9 As a result of the merger, DuPont announced it expects $650 million of "employee separation costs, " and is expected to lay off around 10 percent of its global workforce — close to 5, 000 people. 10 1 New York Times, " Despite Clear Dangers, DuPont Kept Using a Toxic Chemical, " 1/12/2016. 2 New York Times Magazine, " The Lawyer Who Became DuPont's Worst Nightmare, " 1/6/2016. 3 Bloomberg, " DuPont Found Liable in First of 3, 500 Toxic Water Lawsuits, " 10/7/2015.  4 Center for Effective Government, " Ten Years After Toxic Chemical Settlement, DuPont Failing to Keep Its Promises, " 5/7/2015.  5 Bloomberg, " DuPont's Teflon Neighbors Worry Chemours Won't Pay Bills, " 5/7/2015.  6 KPRC Houston, " Report finds series of errors caused deadly DuPont plant accident in La Porte, " 9/30//2015.  7 Center for Effective Government, " Blowing Smoke: Chemical Companies Say 'Trust Us, ' But Environmental and Workplace Safety Violations Belie Their Rhetoric, " 10/22/2015.  8 CNN Money, " Meet DowDuPont: The new $130 billion chemical mega-company, " 12/11/2015.  9 Fortune, " Dow Chemical and DuPont Announce Mega-Merger, " 12/11/2015.  10 Delaware Online, " 'Depressing' atmosphere envelops DuPont as layoffs begin, " 1/4/2016.

January 6, 2016 Permalink Just months before Rob Bilott made partner at Taft Stettinius & Hollister, he received a call on his direct line from a cattle farmer. The farmer, Wilbur Tennant of Parkersburg,, said that his cows were dying left and right. He believed that the DuPont chemical company, which until recently operated a site in Parkersburg that is more than 35 times the size of the Pentagon, was responsible. Tennant had tried to seek help locally, he said, but DuPont just about owned the entire town. He had been spurned not only by Parkersburg’s lawyers but also by its politicians, journalists, doctors and veterinarians. The farmer was angry and spoke in a heavy Appalachian accent. Bilott struggled to make sense of everything he was saying. He might have hung up had Tennant not blurted out the name of Bilott’s grandmother, Alma Holland White. Nathaniel Rich Read Entire Article via The New York Times Magazine:  The Lawyer Who Became DuPont’s Worst Nightmare.

Dark waters vladimir chroma. Dark waters diana skin. Dark waters movie 2019. Dark waters release date. This movie has me pondering every product I use now. Excellent storytelling. Fantastic casting. I even loved how some of the real characters were actually in the film as well. Good cinematography. The only reason I didn't give it a 10 was because it was slow in some parts. Overall, a must see that hopefully changes your life. Because it is Ruffalo, can I pull for DuPont.

Dark waters movie true story. Dark waters 2019 release date. Here in the philippines cane toads is our toy hahaha we put fireworks on the mouth to explode. Dark waters showtimes near me. Dark waters jeremy wade 8. Dark waters film. Dark waters full movie. Lol Mark ruffalo in two movies that involve Du Pont. This and Foxcatcher. Dark waters near me. Dark waters movie near me. Dark waters vvilderness. Just months before Rob Bilott made partner at Taft Stettinius & Hollister, he received a call on his direct line from a cattle farmer. The farmer, Wilbur Tennant of Parkersburg,, said that his cows were dying left and right. He believed that the DuPont chemical company, which until recently operated a site in Parkersburg that is more than 35 times the size of the Pentagon, was responsible. Tennant had tried to seek help locally, he said, but DuPont just about owned the entire town. He had been spurned not only by Parkersburg’s lawyers but also by its politicians, journalists, doctors and veterinarians. The farmer was angry and spoke in a heavy Appalachian accent. Bilott struggled to make sense of everything he was saying. He might have hung up had Tennant not blurted out the name of Bilott’s grandmother, Alma Holland White. Read more from the New York Times magazine.

Dark waters movie. I CAN'T BELIEVE WHAT I JUST HEARD THIS ACTIVITY ON THE FARM WITH DOGMAN IS SOME SCARY SHIT... I BELIEVE HIM 110% I MYSELF PROBABLY WOULD OF HAD A HEART ATTACK SEEING ONE MYSELF. Dark waters diana. Did anyone else think “all hail the magic conch” because of the setting. Dark waters. I understand why people support Sandler being in a serious role hes good but why didnt Jim Carrey get the same reaction when he done more dramatic roles like number 23 ? He killed it. WOW! this was so scary DW! I love these dogman stories. Dark waters rotten tomatoes. Dark waters video. Dark waters csfd.

Dark waters movie showtimes. Dark waters movie trailer. Dark waters dogman. Dark waters movie 2019 movie. Seriously what a good movie. Thank you for makers for making this kind of movie. Seriously well acted, well directed, and well written. Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use. To find out more, including how to control cookies, see here: Cookie Policy. This typo has distracted everybody from the film and message they are trying to present! This is one of the most important stories to be heard in our lifetime and action must be taken! Sadly it all boils down to money and how much corporations and greedy people can profit off of our lives.

Dark waters movie review. Dark watersports. Dark watershed. Look, someone whos trying to do good with their celebrity status. Mark is a good guy. Dark water damage. Dark waters trailer 2019. Super. 👍💝. Dark waters jeremy wade.

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Hahahahahahaha nice job this was hilarious mainly the scene Jack at the beach xD

Dark water damage restoration. Dark waters story. I'm a sucker for a good ol' little-man-against-the-system movie (think "Erin Brockovich" and "Silkwood. of which "Dark Waters" is the latest example. I was mostly intrigued to see what Todd Haynes would do with the formula, since he's explored such a unique creative touch in films I've adored ( Safe. Far from Heaven" and films I've felt more lukewarmly about ( Carol. I'm Not There. Surprisingly, he charges straight down the line with "Dark Waters." This is an interesting if not engrossing film, and it feels like it could be directed by anybody.
That's not necessarily a bad thing when you have an actor as good as Mark Ruffalo in the lead, because the movie gets out of his way and lets him do his thing. He gives a restrained, compelling performance and resists the urge to overplay the everyman-as-hero aspects of this story. This film is more "Silkwood" than "Erin Brockovich." As much fun as it was to watch Julia Roberts tearing around the screen giving everyone a what-for, she wasn't once believable as a working class broad. Ruffalo, on the other hand, IS believable as a modest attorney in Rust Belt America, and he builds a full performance out of subtle, quiet moments rather than any big, showy, Oscar clip ones. This is basically a one-man show, though he's given able support by Tim Robbins, who's worth the price of admission for the scene where he hands a young cocky attorney his ass, and Bill Pullman, gruff and hilarious and using an accent from God knows where. The weak link in the cast is Anne Hathaway as Ruffalo's wife, who, for all of her sweetness and goody-goodiness as an actress, is miscast as a wholesome, Christian mom.
I can't think too much about "Dark Waters" because it will keep me up nights and will give me a phobia about ever drinking or eating anything ever again.
Grade: A.

Dark waters afdah. Dark waters book. Interesting Articles January 10, 2016 130 views BA50 Looks at the News Inspiring Articles & Books 0 Comments 130 views 0 “Rob Bilott was a corporate defense attorney for eight years. Then he took on an environmental suit that would upend his entire career — and expose a brazen, decades-long history of chemical pollution. ” From the New York Times: The Lawyer Who Became DuPont’s Worst Nightmare The Lawyer Who Became DuPont’s Worst Nightmare was last modified: January 10th, 2016 by Interesting Articles Related Join the Conversation comments.

10k baby. This is my community. It's true. While C8 was phased out it was replaced with Gen X which appears to be at first glance as bad as C8. What the documentary The Devil We Know. Dark water quality. This is a rush transcript. Copy may not be in its final form. AMY GOODMAN: Environmental Protection Agency Administrator Scott Pruitt faced lawmakers on Capitol Hill for a third time in less than a month as senators grilled him about a slew of scandals over his spending habits, ties to industry lobbyists and his deregulation of environmental protections. Pruitt is currently facing about a dozen investigations, including into his $3 million security detail, his expensive first-class travel, his below-market-value condo—which he rented from the wife of an energy lobbyist—and his other spending and ethics violations. Wednesday’s hearing came only two days after Politico reported the Environmental Protection Agency and the White House had suppressed publication of a federal health study on a national water contamination crisis. The U. S. Department of Health and Human Services study found the chemicals PFOA and PFOS, which are used in Teflon and firefighting foam, are unsafe for human health at levels the EPA had previously called safe. In other words, these chemicals are more dangerous than previously thought. But internal emails, released after a Freedom of Information Act request, show a Trump administration aide warning the EPA’s top financial officer, quote, “The public, media, and Congressional reaction to these numbers is going to be huge. … The impact to EPA and DoD is going to be extremely painful. We (DoD and EPA) cannot seem to get ATSDR “—that’s the Agency for Toxic Substances and Disease Registry—”to realize the potential public relations nightmare this is going to be, ” unquote. The study remains unpublished. The Pentagon has used foams containing these chemicals in exercises at military bases nationwide. In a March report to Congress, the Pentagon listed 126 military installations where the nearby water shows potentially harmful levels of these chemicals, which have been linked to cancers and developmental delays for fetuses and babies. During Wednesday’s hearing, Republican Senator Shelley Moore Capito of West Virginia asked Pruitt if he ultimately planned to publish the report. SCOTT PRUITT: I was not aware that there had been some holding back of the report. I think it’s important to have all information in the marketplace as we evaluate this. SEN. SHELLEY MOORE CAPITO: Absolutely. SCOTT PRUITT: What’s most important to me is not just studies. I mean, as you know, it’s—I think the health advisory is 70 parts per trillion— SEN. SHELLEY MOORE CAPITO: Right. SCOTT PRUITT: —which is a very strong standard. But we need to make sure that if there’s an MCL, maximum containment limit, or a 107 approach, that it’s based on a record. And that’s what we would proceed with, post the summit next week. So, but as far as information, we need more information, not less. AMY GOODMAN: The EPA and White House’s effort to suppress the study is only the latest twist in a decades-long fight over Teflon’s highly toxic chemical PFOA, also known as C8. For decades, the chemical giant DuPont hid information about the toxicity of this chemical, even as the company discharged it into the waterways around its manufacturing plant in Parkersburg, West Virginia. PFOA, or C8, has now been linked to six diseases, including testicular and kidney cancers. The chemical has been used so widely, it’s now in the bloodstream of 99 percent of Americans, even newborn babies. And the chemical is bioresistant, meaning it doesn’t break down. Well, for more, we’re joined by Rob Bilott, the leading environmental lawyer who represented 70, 000 Americans in lawsuits against the chemical giant DuPont. He successfully won compensation for his clients whose drinking water had been contaminated by toxic chemicals used to make Teflon. Rob Bilott is a recipient of the 2017 Right Livelihood Award. He was also the subject of a 2016 New York Times Magazine article headlined “The Lawyer Who Became DuPont’s Worst Nightmare. ” Rob Bilott is here at the University of California, Santa Cruz, for a gathering of the North American Right Livelihood laureates. Welcome to Democracy Now!, Rob. ROB BILOTT: Good morning. Thank you for having me. AMY GOODMAN: So, it’s great to have you with us. Talk about this latest Politico report. ROB BILOTT: Well, it’s very disturbing. For many years, I have been trying to make sure that the public, the millions of people across this country, and now globally, that have these chemicals in their blood, in their drinking water, that these people have access to the most accurate and complete information about the health risks that are posed from being exposed to these chemicals. We’re talking about man-made, synthetic chemicals that don’t exist in nature, that are now in the blood of millions of people across the country. AMY GOODMAN: Of almost everyone. ROB BILOTT: About everyone, and in wildlife and living things all over the planet. And for many years I’ve been trying to encourage the federal government, the U. EPA, the ATSDR, to release as much information about the health risks from these chemicals as possible. And what we’ve now learned is that one of the federal agencies that has primary responsibility for looking at human health effects from chemical exposure, ATSDR, has developed a draft— AMY GOODMAN: ATSDR stands for, again? ROB BILOTT: The Agency for Toxic Substances and Disease Registry. It’s a part of the federal government created back in the 1980s whose specific purpose is to look at potential human health effects from exposure to hazardous materials. And what we understand is that the agency has come up with a draft report that apparently has taken a new look at the health risks from not only the Teflon-related chemical PFOA and the firefighting foam-related chemical PFOS, but several additional chemicals, as well, that are also now getting into people’s blood and in drinking water across the country. And they’re looking at that information and are suggesting that the levels of exposure that might cause harm are actually a lot lower than what U. EPA has now been telling the people across the country. AMY GOODMAN: I want to turn to a comment from former California Governor Arnold Schwarzenegger, who tweeted Wednesday, “I’m a simple guy so I have a simple remedy when people like Pruitt ignore or hide pollution: if you don’t have a problem with Americans drinking contaminated drinking water, drink it yourself until you tap out or resign. ” ROB BILOTT: Well, you know, what we’re dealing with here is a nationwide, if not global, public health threat. Whether it’s a public relations nightmare, we have people that are dealing with a public health nightmare. So, it’s critically important to get the most accurate, complete health information out there as quickly as we can. AMY GOODMAN: So, according to Politico, a Trump administration White House official said this report, if it gets out, will be a public relations nightmare. Now, explain—it looks at the areas around military bases, industrial areas. And what do you suspect it finds? ROB BILOTT: Well, I believe the agency has looked at various studies that try to assess at what levels in humans and in animals can these chemicals cause harm. And like many states across the country, including the state of New Jersey, for example, which is suggesting that the levels that are allowable in drinking water ought to be a lot lower than what U. EPA is currently saying. U. EPA, for example, is saying 70 parts per trillion is acceptable in drinking water. Folks that are looking at a lot of the more current data, for example, the state of New Jersey, are suggesting levels as low as 14 or even lower. And I believe people are thinking that this particular report that ATSDR has prepared is also going to suggest that those numbers ought to be a lot lower than they are now. AMY GOODMAN: What’s a firefighting foam? ROB BILOTT: Firefighting foam has historically contained a combination of these chemicals—PFOA, PFOS—and is now possibly including some of these newer replacement chemicals that were previously thought to hopefully be safe, but may present some of the same troubling characteristics as the older materials. And what’s happening now is the chemicals used in those foams are being found in drinking water around military bases, airports across the country and worldwide—in Australia, New Zealand—because these chemicals have been released through the foam that was released out into the environment, and are now contaminating water all over the planet. AMY GOODMAN: In March, Washington state Governor Jay Inslee signed the nation’s first law banning firefighting foam and food packaging that contains PFAS, which is the class of chemicals that includes PFOA and PFOS. ROB BILOTT: Correct, correct. AMY GOODMAN: That’s Washington state. ROB BILOTT: That’s Washington state. AMY GOODMAN: So now it’s going to the states that are taking the lead, as opposed to the EPA. ROB BILOTT: Yeah. As we sit here today, in the year 2018, there is still not a federally enforceable standard for any of these chemicals in drinking water. There is an informal guideline from U. EPA. And because the chemical and related chemicals are showing up in drinking water all over the country, all over the world, there are states that are taking matters into their own hand and moving forward a lot quicker and saying, “We’re going to set standards, ” like New Jersey. AMY GOODMAN: I want to turn to Lori Cervera, a resident of Warminster, Pennsylvania, which is home to the former Naval Air Warfare Center and only a few miles from the Willow Grove military base. She’s speaking in a video produced by The Intercept. LORI CERVERA: Looking into what would cause kidney cancer, because it didn’t run in my family. I don’t have any history of it. Don’t have any history of multiple sclerosis in my family. So I looked into it and found an article about the chemical PFOA and PFOS that was in fire-retardant foam that’s used at air bases. We were less than a half a mile away from the air base. AMY GOODMAN: And this is another resident of Warminster, Joanne Stanton. JOANNE STANTON: Right after I had had my third son, we found out that my oldest child, Patrick, who was 6 years old at the time, just getting ready to enter first grade, he was having migraines for the last few years, but they were getting more intense. He was having nauseousness, vomiting in the morning, and then having problem with his balance. And we took him to the doctors, and the MRI revealed a brain tumor. The doctors came in our room, and they started pummeling us with questions: “Where do you live? ” “Where did you grow up? ” “Do you ever work with pesticides? ” “Do you live near a farm? ” “Do you live under high-tension wires? ” And these are questions that I never would have even thought about. AMY GOODMAN: Rob Bilott, just responding to what they are saying? ROB BILOTT: Yeah, I mean, these are chemicals that are presenting all kinds of different potential health threats. And one of the issues that we’re particularly concerned about now is realizing that our nation’s firefighters and emergency responders, who have been using these firefighting foams, or whose equipment and gear that they wear may have been coated with materials that included some of these chemicals in the past—those firefighters and emergency responders have very high levels of these chemicals now in their blood. And we now need to know: What is that doing to our firefighters? AMY GOODMAN: We’re speaking to attorney Rob Bilott, who has represented 70, 000 citizens in lawsuits against DuPont. They’re concerned about their drinking water being contaminated by toxic chemicals used to make Teflon and also firefighting foam. This is Democracy Now! Back in a minute. [break] AMY GOODMAN: This is Democracy Now! I’m Amy Goodman. We’re broadcasting from the University of California, Santa Cruz. Our guest is the Right Livelihood laureate Rob Bilott. We spoke to him first in January at the Sundance Film Festival, because there was a film, The Devil We Know, that had just come out, that features him and some of his clients taking on the issue of Teflon. Chemicals in Teflon have contaminated—what? —99 percent of the population of the United States. As we continue to look at the issue of water contamination, next week there’s going to be an EPA summit, but not everyone is invited. Can you talk about that, Rob? ROB BILOTT: I think highlighting the importance of the issue and how widespread the problem is across the entire country, with almost every state having a community that has water contamination now affected by these chemicals, the U. EPA is having a pretty unprecedented event. They are holding a national summit next week to address this entire class of chemicals, not just PFOA and PFOS, but all the related chemicals, as well, that are showing up in drinking water and in human blood. Representatives from all 50 states have been invited to come into this conference. And there was originally some concern about whether citizens and impacted communities would be allowed to attend, as well. There is now—my understanding, there’s going to be a live feed that people can listen in and hopefully participate in this meeting. AMY GOODMAN: How can they participate if they’re not allowed in the room? ROB BILOTT: That’s a good question. I asked if I could participate, and so far I have not been allowed to go and attend this meeting. I’ve been told I can call in and listen in on a live feed. But, you know, it’s— AMY GOODMAN: But the chemical industry will be there? ROB BILOTT: My understanding, looking at the agenda that’s now been posted, is a representative of the American Chemistry Council, or ACC, will actually not only be there, but be participating in the conference. AMY GOODMAN: And what will be decided at the summit? ROB BILOTT: Don’t know. Don’t know what will actually be the result of the summit, other than bringing all these state and federal agency representatives together to try to come up with a plan of: How do we address this nationwide contamination problem? AMY GOODMAN: I want to turn to a video, an NBC News report on how new research shows cancer has become the number-one killer of firefighters in the United States, including oral, digestive, respiratory, as well as urinary cancers. TOM COSTELLO: In Boston, where it’s illegal for firefighters to smoke, three new cancer cases are reported each month, twice the rate of city residents. FIRE COMMISSIONER JOSEPH FINN: Surely, this is an epidemic in the fire service. This is something that’s going to consume us. TOM COSTELLO: Researchers say today’s fires, involving synthetics, plastics and chemicals, can cover firefighters in a toxic soot. FIREFIGHTER 1: I have kidney cancer. FIREFIGHTER 2: I have brain cancer. FIREFIGHTER 1: There’s no cure for it. TOM COSTELLO: On the memorial wall at fire headquarters, the faces of cancer: 190 firefighters who have died of job-related cancer just since 1990—far more than the number who have died actually fighting fires. AMY GOODMAN: Who is responsible for this, Rob Bilott? That was an NBC News report. ROB BILOTT: That’s exactly what we’d like to find out. Right now we know that the firefighting community has very high levels of these chemicals in their blood. Blood testing that’s been done over the years has indicated this is a particularly highly exposed community. They’re not only exposed to these chemicals in the firefighting foam that they use and often are coated in, but there’s concern that a lot of the equipment or gear that they’ve worn over the years, that some of the stain-proofing or waterproofing materials may have been manufactured using some of these chemicals, and trace amounts of those chemicals may have also ended up on the coatings, as well. And can any of those chemicals then get into the human body because of that? And this is something that has never adequately been researched to date. And we have been actually asking the federal agencies, including I sent a letter to the ATSDR, the same agency we talked about earlier, in September, last September, asking and pleading for the agency to do a national study of firefighters that have been exposed to these chemicals. So, not only should we be studying people who were exposed to these chemicals in drinking water, but the firefighting community, who has this special additional exposure, we need to be studying this to find out: Are these very high cancer rates that we just heard about related to these chemicals in the equipment and the foams that they’ve been using? AMY GOODMAN: Finally, overall, how can people protect themselves? And which are the corporations that make this? ROB BILOTT: Most of these chemicals, this entire family of chemicals, which now includes about 3, 000 chemicals that are part of what we call the per- and polyfluoroalkylated substances [inaudible] the best known. They’re the chemicals that have eight carbons, or C8s. There are now a bunch of related chemicals that have been made that are C4s, C6s, that were hoped to be safer, that are now showing up with some of the same toxicity concerns. A lot of those chemicals, that chemistry was originally invented by the 3M Company. DuPont manufactured PFOA for many years. So, then you have a variety of companies that use those materials to make other products. AMY GOODMAN: Well, I want to thank you very much for being with us. We’ll continue to follow these stories and cases. Rob Bilott, our guest, represented 70, 000 citizens in lawsuits against DuPont, successfully won compensation for his clients whose drinking water had been contaminated by toxic chemicals used to make Teflon. Bilott is a leading environmental lawyer, recipient of the 2017 Right Livelihood Award, was the subject of a 2016 New York Times Magazine article headlined “The Lawyer Who Became DuPont’s Worst Nightmare. ” When we come back, we’ll speak with one of the most famous whistleblowers in the world. Yes, Daniel Ellsberg. Stay with us. The original content of this program is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3. 0 United States License. Please attribute legal copies of this work to Some of the work(s) that this program incorporates, however, may be separately licensed. For further information or additional permissions, contact us.

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  1. Alex Thompson
  2. Release year 2019
  3. Saint Frances is a movie starring Kelly O'Sullivan, Charin Alvarez, and Braden Crothers. After an accidental pregnancy turned abortion, a deadbeat nanny finds an unlikely friendship with the six-year old she's charged with
  4. 153 Votes
  5. Writed by Kelly O'Sullivan

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Saint Frances Oscilloscope Home Media Press & Screenings Contact Home. An interactive guide to your smartphone that accompanies you along the way App info Requires Android: Android 4. 1+ Content Rating: Everyone Get it on: App description The smartphone application acts as an interactive guide and allows you to download the screenplay created on the web platform with all the points of interest you visit, so that nothing escapes you and so you can stamp your digital credential * And later remember. What's New Major updates that improves the following: → Change days to hours in the script; → Fix map on a script details; → Change options icon; → Add alerts badge on options icon; → Add alert number on alerts options list; → Update all the app components to a newest version; → Add an alerts list; → Add alerts to map; → Fix the gallery component; → Upgrade Map, set a better performance and remove unnecessary component updates; Ratings and reviews You may also like these apps.

Receive an email once the selected quality (or above) has been reported Picture and audio quality: Guidelines Movie info DESCRIPTION Starring Kelly O'Sullivan, Ramona Edith-Williams, Jim True-Frost, Francis Guinan, Lily Mojekwu, Mary Beth Fisher, and Charin Alvarez. Where you watch Email alert Receive an email alert when the movie is online as a download or stream. Is Saint Frances available online? No. It has yet to be reported as either a pirated torrent or stream. When will Saint Frances be available on digital platforms like iTunes or Amazon? As of now, there's no release data announced. This includes iTunes, Amazon, Blu-Ray or DVD.

159. 1 mi. AMC Twenty Mile 10 18625 Stage Run Rd, Parker, CO, 80134, 303) 840-2551 Amenities: Online Ticketing, Wheelchair Accessible, Listening Devices, Stadium Seating, Reserved Seating, Print at Home Select a movie time to buy tickets. This is going to be so cute! Will be watching. Did not recognise Hugh Grant 😂. Saint Frances Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Verified Audience November 1, 2019 It's a much more empathetic and truly non-judgmental film than I expected, less about what choices women make, and more about the importance of women supporting each other no matter which choices they make. May 23, 2019 Tonally delicate and loving towards every single one of its characters, it's the kind of indie that gives indie movies a good name. May 20, 2019 [Kelly] O'Sullivan shows incredible promise in not only slowly building her characters, but humanizing them. May 16, 2019. if the creases show, it's [Ramona Edith] Williams' doe-eyed, aw-shucks performance that will likely iron this out for audiences. April 1, 2019 In the most deft, nimble way, Saint Frances offers a winning story while getting behind a laundry list of important feminist issues, including postpartum depression and the efficacy of women dating younger men. March 19, 2019 Naturally, it's a film you'll be eager to share with others yourself. March 18, 2019 Saint Frances, from Alex Thompson and Kelly O'Sullivan, will take you through an entire journey of emotion, it's so insightful and eloquent and respectful and painful and affirming. Both a beautifully specific character study and something that has resonance beyond the demographic of its cast. March 17, 2019 With charming performances, Saint Frances is a small little indie film from Chicago that manages to tackle some serious issues. March 11, 2019 The film has enough modest charms to connect with audiences similarly navigating the bridge between youthful detachment and grounded adulthood.

St. Francis is one of the most loved saints in all the world, but do we really know him? Cities, schools, hospitals, and churches around the globe are dedicated to him, but why? He can be found in gardens across the country, but he must be more than just a birdbath.  Francis is known as a lover of peace and of nature, and this is true. But he also went against all social norms. All that the world said would lead to happiness, he abandoned for something else, something more. To the world, he first appeared a fool. He was an outsider, hated and ridiculed by even the people who were supposed to love him the most. Yet, thousands followed him. Why? Francis was a sinner and a saint who was on a lifelong journey animated by grace. He was a real person with real struggles, temptations, and doubts. He was a disciple, perhaps, the greatest disciple.

This made my decade. Now that Thanksgiving is less than a week away, the holiday season is in full swing. And that means you're probably busier than ever, what with all the decorating, cookie baking, and present buying and wrapping. Take a breath and pencil in an hour or two to yourself - or with a loved one - to enjoy the true meaning of Christmas by watching a Christmas movie. If you want to watch holiday movie classics online this year, you have options. Websites such as Hulu and Fancast typically offer free holiday fare, allowing you to stream select Christmas movie titles and view clips of popular Christmas movies. Simply search the sites for Christmas movies, and you're almost sure to find some titles of interest. Another option for watching Christmas movies online is to checkout sites such as YouTube and DailyMotion. On these websites, viewers may upload their favorite holiday movie scenes, giving you the opportunity to catch some of your favorite Christmas movie moments without having to record and watch the entire movie. Follow WonderHowTo on Facebook, Twitter, Pinterest, Flipboard, LinkedIn.

I got excited cause Britt Robertson is my favourite ever but i cant watch movies like this they make me too sad so now I'm sad. Who is the composer of this choral piece. Added: 4 years ago, Category: Games, Total files: 15, Total size: 17, 859 Mb Some downloads may require a password to extract the archive, a serial code, crack or keygen. If this is the case then please visit the Original Site for further information. Most of the time there will be a download description, screenshots and various other details included with the download title. We support the original site where the link(s) came from and encourage you to visit them. However we are unable to guarantee the quality of the page as it has not been reviewed by us. Use the box below to copy the download links to the clipboard for use with a download manager: Most file host providers (eg: Rapidgator, Nitroflare) offer a Free download option and a Paid download option. These are great sources for downloading files like UEFA Euro 2016 France. For further information about downloading and extracting files please refer to our About/FAQ page.

Inventlayout is a website that presents practical and useful graphics for designers and web developers. We seek to present exceptional, noteworthy tips, and resources that the modern web professional will appreciate. Have something to say or to suggest? Found a bug or a peeled banana somewhere on the site? Let us know by drop an email on and we'll get back to you as soon as we can. If you have a problem with this Gloria, you wouldnt like Missa Orbis Factor, which is the ONLY Mass used for Sundays after Pentecost. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy 1996-2014, Inc. or its affiliates.

I was at this game. Last Sunday we finished watching this inspirational portrayal of St. Francis & St. Clare – after breaking the viewing into 2 parts (at 3 hours running time its very thorough. The time, however, was incredibly well spent – this it is truly one of the BEST movies about the life of St. Francis out there, with the added bonus intertwining of St. Clares story. What a life!  Totally RADICAL for his times (1182 – 1226) St. Francis would still be considered rather radical today… and St. Clare, too, in a radically contemplative way.  During a time of extreme poverty, both Francis & Clare were born into wealth: Francis to a rich cloth merchant family and Clare into a powerful family of the nobility.  Both gave up everything, severing their familial ties to serve the poorest of the poor. Well, its a bit more complicated than that. With his fathers enthusiastic support, Francis dreamed of being a knight and winning renown in battle. Taken prisoner in his first battle, however, Francis became quite ill before he was ransomed home.  When he later does well marketing-wise in the cloth trade, his father transforms his disappointment over the knight-debacle into successful merchant & son expansion endeavors. After much wild living (the movie doesnt dwell too much on this, but you get the idea. Francis is horrified by a group of lepers…and then by a former comrade in arms who has leprosy. God is chipping away in his heart, making way for some BIG changes. Francis starts noticing the poor, giving food away, selling cloth on the cheap to help them (angering his father in the process! The movie covers the highlights of St. Francis life -the showdown with his father, Gods ‘call from the cross in the dilapidated San Damiano Chapel to ‘rebuild My House which is falling in ruins, his work among the lepers & the poor, the founding of the Franciscan Friars. the challenging trip to Pope Innocent III in Rome for his blessing) his trip to the Sultan during the Crusades and more and more and more… Meanwhile, Clare struggles with the challenges of women in her day – an arranged marriage to someone she doesnt love – when she feels called to a life of prayer and poverty like St. Francis.  After seeking to join St. Francis in his work, she ends up taking vows & starting a womens order linked to the Friars – the Poor Clares.  Not without some excitement when her grim, violent uncle tries to take her forcibly from the convent where Benedictine sisters have taken her in... There is truly so much to take in, as when you read the account of their lives. Sometimes Francis seems like such a MAJORLY RADICAL saint, how can his life inspire us today?  Are we meant to give up all our possessions, take off our designer clothes, join an order, become a pastor, or be a missionary? Some of us, yes, may be called to do so (the Franciscans & Poor Clares continue doing that the world over.  But maybe you might be inspired to live differently right where you are – to be a brighter light where God has placed you. After Francis draws closer to God, he sees the lepers around him with new eyes – eyes of Love, the Heavenly kind for ALL people.  As he kisses a leper & tenderly binds his wounds, he sees Jesus Christ.  Its that Mother Teresa kind of reaching out – seeing the image of God in all people, even societys ‘throw-a-ways. Look around, we all have ‘lepers in our lives – those we are afraid to touch, who seem reprehensible.  As much as we shout ‘Hallelujah! and then walk down the other side of the street (political aisle, gender room, race divide…) we need to reach out, like Saint Francis, and kiss the lepers in our lives with the love of Jesus.  (ok, so maybe a REAL kiss is kinda mushy, but how about a HUG? how many HIV+ folks have you hugged lately? how many Republicans/Democrats have you had to lunch – cordially without coming to political blows? how many people different from you have you at least SMILED at? vs. pursing your pious lips & looking the other way…) Sometimes we have to start simply … and smiles dont cost much. 2007 film directed by Fabrizio Costa, starring Mary Petruolo & Ettore Bassi. All in all, this is an outstandingly inspiring movie – excellent acting, filmed beautifully on location in Italy & endorsed by the Franciscan leadership.  We had it from Netflix, but its surely one to add to the collection. “Preach the Gospel at all times. If necessary, use words. ”  St. Francis of Assisi Radical & still applicable – 800+ years on….

8 wins & 8 nominations. See more awards  » Videos Learn more More Like This Comedy, Drama 1 2 3 4 5 6 7 8 9 10 7 / 10 X A wealthy Mexican family decides to build a wall around their ranch to stop townspeople from stealing their well water. Directors: Zachary Cotler, Magdalena Zyzak Stars: Jackson Rathbone, Esai Morales, Marisol Sacramento Romance 7. 2 / 10 She did everything right, until it all went wrong. Director: Josephine Mackerras Emilie Piponnier, Martin Swabey, Chloé Boreham Documentary 7. 1 / 10 In 1981, a new channel burst onto the rising spectrum of cable TV offerings. It became a touchstone for young people and a new format for musicians and filmmakers to show off their talents. Tyler Measom, Patrick Waldrop Tori Amos, Jack Antonoff, Jeff Ayeroff 6. 1 / 10 A single mom and part-time paranormal investigator is asked to look into a possible "haunting" at a widower's farmhouse in East Tennessee. Paul Harrill Marin Ireland, Jim Gaffigan, Josh Wiggins 6. 5 / 10 A small town's reaction to scandal. Bob Byington Kaley Wheless, Nick Offerman, Martin Starr Mystery 4. 7 / 10 A New York social worker finds herself embroiled in the kidnapping of a Washington DC socialite. Michael Kerry Matthews, Thomas Matthews Kate Lyn Sheil, Thomas Matthews, Keith Poulson 6. 9 / 10 Under small town scrutiny, a withdrawn farmer's daughter forges an intimate friendship with a worldly but reckless new girl in 1960s Oklahoma. Martha Stephens Malin Akerman, Lucas Jade Zumann, Shea Whigham 7. 6 / 10 On the last night of her college freshman year, Izzy tries to lose her virginity with the help of her two best friends- but their only hope is getting into an exclusive, invite-only "Crush Party. " Emily Cohn Isabelle Barbier, Shelby Brunn, Daniel Cramer When an acclaimed music producer goes off his medication for schizophrenia, his friends chase him though the LA music scene to help commit him to a psychiatric hospital, revealing the troubling inadequacies of our mental health care system. Katharine O'Brien Alexandra Daddario, Juno Temple, Simon Pegg Certificate: 16+ 5. 8 / 10 Two young lovers embark on a relationship while a rumor of sharks at the beach has everyone talking. Lucía Garibaldi Romina Bentancur, Federico Morosini, Fabián Arenillas In a remote Icelandic town, an off duty police chief begins to suspect a local man for having had an affair with his wife, who recently died in a car accident. Gradually his obsession for. See full summary  » Hlynur Palmason Ingvar Sigurdsson, Ída Mekkín Hlynsdóttir, Hilmir Snær Guðnason 2. 8 / 10 Awkward teen Adam spends his last high school summer with his big sister, who throws herself into NYC's lesbian and trans activist scene. In this coming-of-age comedy, Adam and those around him encounter love, friendship and hard truths. Rhys Ernst Nicholas Alexander, Bobbi Salvör Menuez, Margaret Qualley Edit Storyline After an accidental pregnancy turned abortion, a deadbeat nanny finds an unlikely friendship with the six-year old she's charged with protecting. Plot Summary Add Synopsis Details Release Date: 28 February 2020 (USA) See more  » Also Known As: Saint Frances Company Credits Technical Specs See full technical specs  » Did You Know? Trivia [ All trivia items for this title are spoilers. ] See more ».

Francesco is a Italian television movie written and directed by Michele Soavi. The film is based on real life events of Saint Francis of Assisi, a saint who was born rich, in the medieval Tuscany, … More Francesco is a Italian television movie written and directed by Michele Soavi. The film is based on real life events of Saint Francis of Assisi, a saint who was born rich, in the medieval Tuscany, and abandoned all his goods to live closer to the population and is nowadays remembered as the saint protector of Italy.

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Sin duda el Rey de la Bachata❤ romeista💕. Watch full length the burnt orange heresy 2017. Watch full length the burnt orange heresy song. Watch Full Length The Burnt Orange heres 38. Watch full length the burnt orange heresy film. In 2014, The Australian Ballet is returning to Brisbane with Sir Kenneth MacMillans passionate Manon and the stylish double bill Imperial Suite. On Tuesday 3 September 2013 The Australian Ballet launched its 2014 season, a year featuring more dance than ever before with four dazzling full-length ballets, two boundary-breaking contemporary programs, a sophisticated classical double bill, and a free outdoor performance. The year begins with Manon, Sir Kenneth MacMillans tragic tale of a naïve courtesan who goes from rags to riches and back again, in Brisbane, Melbourne and Sydney. The classical double bill Imperial Suite combines George Balanchiness Ballet Imperial with Serge Lifars Suite en blanc; its a cosmopolitan ballet tour to New York, Paris and Russia. Chroma is the name of both the bill and one of its works: the premiere of Wayne McGregors 2006 showstopper mixes ballet with the music of The White Stripes for one intoxicating cocktail. Also on the bill is Jiří Kyliáns “Mozart double”: Sechs Tänze and Petite Mort, and a brand new work by Resident Choreographer Stephen Baynes. Bodytorque comes to Melbourne for the first time! The theme is DNA, and with dance in their genes, these new choreographers are sure to come up with something worth cloning. Adelaide audiences will be whisked away to the ball under the spell of Alexei Ratmanskys magical full-length Cinderella. A new ballet by Resident Choreographer Stanton Welch is always something special, and his new La Bayadère will be no exception with its lavish Peter Farmer designs and exotic Indian setting. Back by popular demand is Peter Wrights The Nutcracker. This candy-coated Christmas confection of a ballet will surprise and delight ballet fans of all ages. Telstra will mark their 30 year partnership with The Australian Ballet in 2014 with a year of celebration, starting with the free outdoor concert Telstra Ballet in the Bowl taking place in Melbourne. The Dancers Company will tour regional areas in Victoria, Tasmania and Western Australia. In its 35th outing, it presents a Classical Triple Bill featuring Paquita, Rimbombo and Swan Lake Act III. To catch a sneak-peak of next years program, watch the 2014 season video on The Australian Ballets YouTube channel here. Subscription packages for the 2014 season go on sale at 9am on Wednesday 4 September 2014. To book, click here. The Australian Ballets 2014 Season.

Watch full length the burnt orange heresy full. Las Meninas Artist Diego Velázquez Year 1656 Medium Oil on canvas Dimensions 318 cm × 276 cm (125. 2 in × 108. 7 in) Location Museo del Prado, Madrid Las Meninas [a. pronounced  [laz meˈninas] Spanish  for " The Ladies-in-waiting. is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Golden Age. Its complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted. Because of these complexities, Las Meninas has been one of the most widely analyzed works in Western painting. The painting shows a large room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot. [1] Some look out of the canvas towards the viewer, while others interact among themselves. The young Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two dwarfs and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards, beyond the pictorial space to where a viewer of the painting would stand. [2] In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on. Las Meninas has long been recognised as one of the most important paintings in Western art history. The Baroque painter Luca Giordano said that it represents the "theology of painting" and in 1827 the president of the Royal Academy of Arts Sir Thomas Lawrence described the work in a letter to his successor David Wilkie as "the true philosophy of the art. 3] More recently, it has been described as "Velázquez's supreme achievement, a highly self-conscious, calculated demonstration of what painting could achieve, and perhaps the most searching comment ever made on the possibilities of the easel painting. 4] Background [ edit] Court of Philip IV [ edit] The Infanta Margaret Theresa (1651–73) in mourning dress for her father in 1666, by Juan del Mazo. The background figures include her young brother Charles II and the dwarf Maribarbola, also in Las Meninas. She left Spain for her marriage in Vienna the same year. [5] In 17th-century Spain, painters rarely enjoyed high social status. Painting was regarded as a craft, not an art such as poetry or music. [6] Nonetheless, Velázquez worked his way up through the ranks of the court of Philip IV, and in February 1651 was appointed palace chamberlain ( aposentador mayor del palacio. The post brought him status and material reward, but its duties made heavy demands on his time. During the remaining eight years of his life, he painted only a few works, mostly portraits of the royal family. [7] When he painted Las Meninas, he had been with the royal household for 33 years. Philip IV's first wife, Elizabeth of France, died in 1644; and their only son, Balthasar Charles, died two years later. Lacking an heir, Philip married Mariana of Austria in 1649, 8] and Margaret Theresa (1651–1673) was their first child, and their only one at the time of the painting. Subsequently, she had a short-lived brother Philip Prospero (1657–1661) and then Charles (1661–1700) arrived, who succeeded to the throne as Charles II at the age of three. Velázquez painted portraits of Mariana and her children, 7] and although Philip himself resisted being portrayed in his old age he did allow Velázquez to include him in Las Meninas. In the early 1650s he gave Velázquez the Pieza Principal ( main room" of the late Balthasar Charles's living quarters, by then serving as the palace museum, to use as his studio. It is here that Las Meninas is set. Philip had his own chair in the studio and would often sit and watch Velázquez at work. Although constrained by rigid etiquette, the art-loving king seems to have had a close relationship with the painter. After Velázquez's death, Philip wrote "I am crushed" in the margin of a memorandum on the choice of his successor. [9] During the 1640s and 1650s, Velázquez served as both court painter and curator of Philip IV's expanding collection of European art. He seems to have been given an unusual degree of freedom in the role. He supervised the decoration and interior design of the rooms holding the most valued paintings, adding mirrors, statues and tapestries. He was also responsible for the sourcing, attribution, hanging and inventory of many of the Spanish king's paintings. By the early 1650s, Velázquez was widely respected in Spain as a connoisseur. Much of the collection of the Prado today—including works by Titian, Raphael, and Rubens —were acquired and assembled under Velázquez's curatorship. [10] Detail showing Philip IV's daughter, the Infanta Margaret Theresa. Most of her left cheek was repainted after being damaged in the fire of 1734. Provenance and condition [ edit] The painting was referred to in the earliest inventories as La Familia ( The Family. 11] A detailed description of Las Meninas, which provides the identification of several of the figures, was published by Antonio Palomino ( the Giorgio Vasari of the Spanish Golden Age" in 1724. [2] 12] Examination under infrared light reveals minor pentimenti, that is, there are traces of earlier working that the artist himself later altered. For example, at first Velázquez's own head inclined to his right rather than his left. [13] The painting has been cut down on both the left and right sides. [14] It was damaged in the fire that destroyed the Alcázar in 1734, and was restored by court painter Juan García de Miranda (1677–1749. The left cheek of the Infanta was almost completely repainted to compensate for a substantial loss of pigment. [15] After its rescue from the fire, the painting was inventoried as part of the royal collection in 1747–48, and the Infanta was misidentified as Maria Theresa, Margaret Theresa's older half-sister, an error that was repeated when the painting was inventoried at the new Madrid Royal Palace in 1772. [16] A 1794 inventory reverted to a version of the earlier title, The Family of Philip IV, which was repeated in the records of 1814. The painting entered the collection of the Museo del Prado on its foundation in 1819. [15] In 1843, the Prado catalogue listed the work for the first time as Las Meninas. [16] In recent years, the picture has suffered a loss of texture and hue. Due to exposure to pollution and crowds of visitors, the once-vivid contrasts between blue and white pigments in the costumes of the meninas have faded. [15] It was last cleaned in 1984 under the supervision of the American conservator John Brealey, to remove a "yellow veil" of dust that had gathered since the previous restoration in the 19th century. The cleaning provoked, according to the art historian Federico Zeri, furious protests, not because the picture had been damaged in any way, but because it looked different. 17] 18] However, in the opinion of López-Rey, the "restoration was impeccable. 16] Due to its size, importance, and value, the painting is not lent out for exhibition. [b] Painting materials [ edit] A thorough technical investigation including a pigment analysis of Las Meninas was conducted around 1981 in Museo Prado. [21] The analysis revealed the usual pigments of the baroque period frequently used by Velázquez in his other paintings. The main pigments used for this painting were lead white, azurite (for the skirt of the kneeling menina) vermilion and red lake, ochres and carbon blacks. [22] Description [ edit] Subject matter [ edit] Key to the people represented: see text Las Meninas is set in Velázquez's studio in Philip IV's Alcázar palace in Madrid. [23] The high-ceilinged room is presented, in the words of Silvio Gaggi, as "a simple box that could be divided into a perspective grid with a single vanishing point. 24] In the centre of the foreground stands the Infanta Margaret Theresa  (1. The five-year-old infanta, who later married Holy Roman Emperor Leopold I, was at this point Philip and Mariana's only surviving child. [c] She is attended by two ladies-in-waiting, or meninas: doña Isabel de Velasco (2) who is poised to curtsy to the princess, and doña María Agustina Sarmiento de Sotomayor  (3) who kneels before Margaret Theresa, offering her a drink from a red cup, or búcaro, that she holds on a golden tray. [25] To the right of the Infanta are two dwarfs: the achondroplastic German, Mari Barbola (4) 25. Maria Barbola) and the Italian, Nicolas Pertusato (5) who playfully tries to rouse a sleepy mastiff with his foot. The dog is thought to be descended from two mastiffs from Lyme Hall in Cheshire, given to Phillip III in 1604 by James I of England. [26] Behind them stands doña Marcela de Ulloa (6) the princess's chaperone, dressed in mourning and talking to an unidentified bodyguard (or guardadamas) 7. 25] To the rear and at right stands Don José Nieto Velázquez  (8)—the queen's chamberlain during the 1650s, and head of the royal tapestry works—who may have been a relative of the artist. Nieto is shown pausing, with his right knee bent and his feet on different steps. As the art critic Harriet Stone observes, it is uncertain whether he is "coming or going. 27] He is rendered in silhouette and appears to hold open a curtain on a short flight of stairs, with an unclear wall or space behind. Both this backlight and the open doorway reveal space behind: in the words of the art historian Analisa Leppanen, they lure "our eyes inescapably into the depths. 28] The royal couple's reflection pushes in the opposite direction, forward into the picture space. The vanishing point of the perspective is in the doorway, as can be shown by extending the line of the meeting of wall and ceiling on the right. Nieto is seen only by the king and queen, who share the viewer's point of view, and not by the figures in the foreground. In the footnotes of Joel Snyder's article, the author recognizes that Nieto is the queen's attendant and was required to be at hand to open and close doors for her. Snyder suggests that Nieto appears in the doorway so that the king and queen might depart. In the context of the painting, Snyder argues that the scene is the end of the royal couple's sitting for Velázquez and they are preparing to exit, explaining that is "why the menina to the right of the Infanta begins to curtsy. 29] Velázquez himself (9) is pictured to the left of the scene, looking outward past a large canvas supported by an easel. [30] On his chest is the red cross of the Order of Santiago, which he did not receive until 1659, three years after the painting was completed. According to Palomino, Philip ordered this to be added after Velázquez's death, and some say that his Majesty himself painted it. 31] From the painter's belt hang the symbolic keys of his court offices. [32] A mirror on the back wall reflects the upper bodies and heads of two figures identified from other paintings, and by Palomino, as King Philip IV (10) and Queen Mariana (11. The most common assumption is that the reflection shows the couple in the pose they are holding for Velázquez as he paints them, while their daughter watches; and that the painting therefore shows their view of the scene. Of the nine figures depicted, five are looking directly out at the royal couple or the viewer. Their glances, along with the king and queen's reflection, affirm the royal couple's presence outside the painted space. [27] Alternatively, art historians H. W. Janson and Joel Snyder suggest that the image of the king and queen is a reflection from Velázquez's canvas, the front of which is obscured from the viewer. [33] 34] Other writers say the canvas Velázquez is painting is unusually large for a portrait by Velázquez, and is about the same size as Las Meninas. Las Meninas contains the only known double portrait of the royal couple painted by Velázquez. [35] The point of view of the picture is approximately that of the royal couple, though this has been widely debated. Many critics suppose that the scene is viewed by the king and queen as they pose for a double portrait, while the Infanta and her companions are present only to make the process more enjoyable. [36] Ernst Gombrich suggested that the picture might have been the sitters' idea: Perhaps the princess was brought into the royal presence to relieve the boredom of the sitting and the King or the Queen remarked to Velazquez that here was a worthy subject for his brush. The words spoken by the sovereign are always treated as a command and so we may owe this masterpiece to a passing wish which only Velazquez was able to turn into reality. 37] No single theory, however, has found universal agreement. [38] Leo Steinberg suggests that the King and Queen are to the left of the viewer and the reflection in the mirror is that of the canvas, a portrait of the king and queen. [39] Others speculate that Velázquez represents himself painting the Infanta Margaret Theresa. The back wall of the room, which is in shadow, is hung with rows of paintings, including one of a series of scenes from Ovid 's Metamorphoses by Peter Paul Rubens, and copies, by Velázquez's son-in-law and principal assistant Juan del Mazo, of works by Jacob Jordaens. [23] The paintings are shown in the exact positions recorded in an inventory taken around this time. [30] The wall to the right is hung with a grid of eight smaller paintings, visible mainly as frames owing to their angle from the viewer. [27] They can be identified from the inventory as more Mazo copies of paintings from the Rubens Ovid series, though only two of the subjects can be seen. [23] The paintings on the back wall are recognized as representing Minerva Punishing Arachne and Apollo's Victory Over Marsyas. Both stories involve Minerva, the Goddess of Wisdom and patron of the arts. These two legends are both stories of mortals challenging gods and the dreadful consequences. One scholar points out that the legend dealing with two women, Minerva and Arachne, is on the same side of the mirror as the queen's reflection while the male legend is on the side of the king. [40] Composition [ edit] The painted surface is divided into quarters horizontally and sevenths vertically; this grid is used to organise the elaborate grouping of characters, and was a common device at the time. [41] Velázquez presents nine figures—eleven if the king and queen's reflected images are included—yet they occupy only the lower half of the canvas. [42] According to López-Rey, the painting has three focal points: the Infanta Margaret Theresa, the self-portrait and the half-length reflected images of King Philip IV and Queen Mariana. In 1960, the art historian Kenneth Clark made the point that the success of the composition is a result first and foremost of the accurate handling of light and shade: Each focal point involves us in a new set of relations; and to paint a complex group like the Meninas, the painter must carry in his head a single consistent scale of relations which he can apply throughout. He may use all kinds of devices to help him do this—perspective is one of them—but ultimately the truth about a complete visual impression depends on one thing, truth of tone. Drawing may be summary, colours drab, but if the relations of tone are true, the picture will hold. [41] However, the focal point of the painting is widely debated. Leo Steinberg argues that the orthogonals in the work are intentionally disguised so that the picture's focal center shifts. Similar to Lopez-Rey, he describes three foci. The man in the doorway, however, is the vanishing point. More specifically, the crook of his arm is where the orthogonals of the windows and lights of the ceiling meet. [43] Depth and dimension are rendered by the use of linear perspective, by the overlapping of the layers of shapes, and in particular, as stated by Clark, through the use of tone. This compositional element operates within the picture in a number of ways. First, there is the appearance of natural light within the painted room and beyond it. The pictorial space in the midground and foreground is lit from two sources: by thin shafts of light from the open door, and by broad streams coming through the window to the right. [30] The 20th-century French philosopher and cultural critic Michel Foucault observed that the light from the window illuminates both the studio foreground and the unrepresented area in front of it, in which the king, the queen, and the viewer are presumed to be situated. [44] For José Ortega y Gasset, light divides the scene into three distinct parts, with foreground and background planes strongly illuminated, between which a darkened intermediate space includes silhouetted figures. [45] Velázquez uses this light not only to add volume and definition to each form but also to define the focal points of the painting. As the light streams in from the right it brightly glints on the braid and golden hair of the female dwarf, who is nearest the light source. But because her face is turned from the light, and in shadow, its tonality does not make it a point of particular interest. Similarly, the light glances obliquely on the cheek of the lady-in-waiting near her, but not on her facial features. Much of her lightly coloured dress is dimmed by shadow. The Infanta, however, stands in full illumination, and with her face turned towards the light source, even though her gaze is not. Her face is framed by the pale gossamer of her hair, setting her apart from everything else in the picture. The light models the volumetric geometry of her form, defining the conic nature of a small torso bound rigidly into a corset and stiffened bodice, and the panniered skirt extending around her like an oval candy-box, casting its own deep shadow which, by its sharp contrast with the bright brocade, both emphasises and locates the small figure as the main point of attention. Velázquez further emphasises the Infanta by his positioning and lighting of her maids of honour, whom he sets opposing one another: to left and right, before and behind the Infanta. The maid to the left faces the light, her brightly lit profile and sleeve creating a diagonal. Her opposite number creates a broader but less defined reflection of her attention, making a diagonal space between them, in which their charge stands protected. [46] A further internal diagonal passes through the space occupied by the Infanta. There is a similar connection between the female dwarf and the figure of Velázquez himself, both of whom look towards the viewer from similar angles, creating a visual tension. The face of Velázquez is dimly lit by light that is reflected, rather than direct. For this reason his features, though not as sharply defined, are more visible than those of the dwarf who is much nearer the light source. This appearance of a total face, full-on to the viewer, draws the attention, and its importance is marked, tonally, by the contrasting frame of dark hair, the light on the hand and brush, and the skilfully placed triangle of light on the artist's sleeve, pointing directly to the face. From the figure of the artist, the viewer's eye leaps again diagonally into the pictorial space. Another man stands, echoing and opposing the form of the artist, outside rather than inside, made clearly defined and yet barely identifiable by the light and shade. The positioning of such an area of strong tonal contrast right at the rear of the pictorial space is a daring compositional tactic. The shapes of bright light are similar to the irregular light shapes of the foreground Maid of Honour, but the sharply defined door-frame repeats the border of the mirror. The mirror is a perfectly defined unbroken pale rectangle within a broad black rectangle. A clear geometric shape, like a lit face, draws the attention of the viewer more than a broken geometric shape such as the door, or a shadowed or oblique face such as that of the dwarf in the foreground or that of the man in the background. The viewer cannot distinguish the features of the king and queen, but in the opalescent sheen of the mirror's surface, the glowing ovals are plainly turned directly to the viewer. Jonathan Miller pointed out that apart from "adding suggestive gleams at the bevelled edges, the most important way the mirror betrays its identity is by disclosing imagery whose brightness is so inconsistent with the dimness of the surrounding wall that it can only have been borrowed, by reflection, from the strongly illuminated figures of the King and Queen. 47] As the maids of honour are reflected in each other, so too do the king and queen have their doubles within the painting, in the dimly lit forms of the chaperone and guard, the two who serve and care for their daughter. The positioning of these figures sets up a pattern, one man, a couple, one man, a couple, and while the outer figures are nearer the viewer than the others, they all occupy the same horizontal band on the picture's surface. Adding to the inner complexities of the picture and creating further visual interactions is the male dwarf in the foreground, whose raised hand echoes the gesture of the figure in the background, while his playful demeanour, and distraction from the central action, are in complete contrast with it. The informality of his pose, his shadowed profile, and his dark hair all serve to make him a mirror image to the kneeling attendant of the Infanta. However, the painter has set him forward of the light streaming through the window, and so minimised the contrast of tone on this foreground figure. Despite certain spatial ambiguities this is the painter's most thoroughly rendered architectural space, and the only one in which a ceiling is shown. According to López-Rey, in no other composition did Velázquez so dramatically lead the eye to areas beyond the viewer's sight: both the canvas he is seen painting, and the space beyond the frame where the king and queen stand can only be imagined. [48] The bareness of the dark ceiling, the back of Velázquez's canvas, and the strict geometry of framed paintings contrast with the animated, brilliantly lit and sumptuously painted foreground entourage. [49] Stone writes: We cannot take in all the figures of the painting in one glance. Not only do the life-size proportions of the painting preclude such an appreciation, but also the fact that the heads of the figures are turned in different directions means that our gaze is deflected. The painting communicates through images which, in order to be understood, must thus be considered in sequence, one after the other, in the context of a history that is still unfolding. It is a history that is still unframed, even in this painting composed of frames within frames. [50] According to Kahr, the composition could have been influenced by the traditional Dutch Gallery Pictures such as those by Frans Francken the Younger, Willem van Haecht, or David Teniers the Younger. Teniers' work was owned by Philip IV and would have been known by Velázquez. Like Las Meninas, they often depict formal visits by important collectors or rulers, a common occurrence, and "show a room with a series of windows dominating one side wall and paintings hung between the windows as well as on the other walls. Gallery Portraits were also used to glorify the artist as well as royalty or members of the higher classes, as may have been Velázquez's intention with this work. [51] Mirror and reflection [ edit] Detail of the mirror in van Eyck's Arnolfini Portrait. Van Eyck's painting shows the pictorial space from "behind" and two further figures in front of the picture space, like those in the reflection in the mirror in Las Meninas. The spatial structure and positioning of the mirror's reflection are such that Philip IV and Mariana appear to be standing on the viewer's side of the pictorial space, facing the Infanta and her entourage. According to Janson, not only is the gathering of figures in the foreground for Philip and Mariana's benefit, but the painter's attention is concentrated on the couple, as he appears to be working on their portrait. [33] Although they can only be seen in the mirror reflection, their distant image occupies a central position in the canvas, in terms of social hierarchy as well as composition. As spectators, our position in relation to the painting is uncertain. It has been debated whether the ruling couple are standing beside the viewer or have replaced the viewer, who sees the scene through their eyes. Lending weight to the latter idea are the gazes of three of the figures—Velázquez, the Infanta, and Maribarbola—who appear to be looking directly at the viewer. [52] The mirror on the back wall indicates what is not there: the king and queen, and in the words of Harriet Stone, the generations of spectators who assume the couple's place before the painting. 27] Writing in 1980, the critics Snyder and Cohn observed: Velázquez wanted the mirror to depend upon the useable (sic) painted canvas for its image. Why should he want that? The luminous image in the mirror appears to reflect the king and queen themselves, but it does more than just this: the mirror outdoes nature. The mirror image is only a reflection. A reflection of what? Of the real thing—of the art of Velázquez. In the presence of his divinely ordained monarchs. Velázquez exults in his artistry and counsels Philip and Maria not to look for the revelation of their image in the natural reflection of a looking glass but rather in the penetrating vision of their master painter. In the presence of Velázquez, a mirror image is a poor imitation of the real. [53] In Las Meninas, the king and queen are supposedly "outside" the painting, yet their reflection in the back wall mirror also places them "inside" the pictorial space. [54] Snyder proposes it is "a mirror of majesty" or an allusion to the mirror for princes. While it is a literal reflection of the king and queen, Snyder writes "it is the image of exemplary monarchs, a reflection of ideal character" 55] Later he focuses his attention on the princess, writing that Velázquez's portrait is "the painted equivalent of a manual for the education of the princess—a mirror of the princess. 56] The painting is likely to have been influenced by Jan van Eyck 's Arnolfini Portrait, of 1434. At the time, van Eyck's painting hung in Philip's palace, and would have been familiar to Velázquez. [13] 57] The Arnolfini Portrait also has a mirror positioned at the back of the pictorial space, reflecting two figures who would have the same angle of vision as does the viewer of Velázquez's painting; they are too small to identify, but it has been speculated that one may be intended as the artist himself, though he is not shown in the act of painting. According to Lucien Dällenbach: The mirror [in Las Meninas] faces the observer as in Van Eyck's painting. But here the procedure is more realistic to the degree that the "rearview" mirror in which the royal couple appears is no longer convex but flat. Whereas the reflection in the Flemish painting recomposed objects and characters within a space that is condensed and deformed by the curve of the mirror, that of Velázquez refuses to play with the laws of perspective: it projects onto the canvas the perfect double of the king and queen positioned in front of the painting. Moreover, in showing the figures whom the painter observes, and also, through the mediation of the mirror, the figures who are observing him, the painter achieves a reciprocity of gazes that makes the interior oscillate with the exterior and which causes the image to "emerge from its frame" at the same time that it invites the visitors to enter the painting. [58] Jonathan Miller asks: What are we to make of the blurred features of the royal couple? It is unlikely that it has anything to do with the optical imperfection of the mirror, which would, in reality, have displayed a focused image of the King and Queen. He notes that "in addition to the represented mirror, he teasingly implies an unrepresented one, without which it is difficult to imagine how he could have shown himself painting the picture we now see. 59] Interpretation [ edit] The elusiveness of Las Meninas, according to Dawson Carr, suggests that art, and life, are an illusion. 60] The relationship between illusion and reality were central concerns in Spanish culture during the 17th century, figuring largely in Don Quixote, the best-known work of Spanish Baroque literature. In this respect, Calderón de la Barca's play Life is a Dream is commonly seen as the literary equivalent of Velázquez's painting: What is a life? A frenzy. What is life? A shadow, an illusion, and a sham. The greatest good is small; all life, it seems Is just a dream, and even dreams are dreams. [60] Detail showing the red cross of the Order of Santiago painted on the breast of Velázquez. Presumably this detail was added at a later date, as the painter was admitted to the order by the king's decree on November 28, 1659. [61] Jon Manchip White notes that the painting can be seen as a résumé of the whole of Velázquez's life and career, as well as a summary of his art to that point. He placed his only confirmed self-portrait in a room in the royal palace surrounded by an assembly of royalty, courtiers, and fine objects that represent his life at court. [25] The art historian Svetlana Alpers suggests that, by portraying the artist at work in the company of royalty and nobility, Velázquez was claiming high status for both the artist and his art, 62] and in particular to propose that painting is a liberal rather than a mechanical art. This distinction was a point of controversy at the time. It would have been significant to Velázquez, since the rules of the Order of Santiago excluded those whose occupations were mechanical. [4] Kahr asserts that this was the best way for Velázquez to show that he was "neither a craftsman or a tradesman, but an official of the court. Furthermore, this was a way to prove himself worthy of acceptance by the royal family. [63] Michel Foucault devoted the opening chapter of The Order of Things (1966) to an analysis of Las Meninas. Foucault describes the painting in meticulous detail, but in a language that is "neither prescribed by, nor filtered through the various texts of art-historical investigation. 64] Foucault viewed the painting without regard to the subject matter, nor to the artist's biography, technical ability, sources and influences, social context, or relationship with his patrons. Instead he analyzes its conscious artifice, highlighting the complex network of visual relationships between painter, subject-model, and viewer: We are looking at a picture in which the painter is in turn looking out at us. A mere confrontation, eyes catching one another's glance, direct looks superimposing themselves upon one another as they cross. And yet this slender line of reciprocal visibility embraces a whole complex network of uncertainties, exchanges, and feints. The painter is turning his eyes towards us only in so far as we happen to occupy the same position as his subject. [64] 65] For Foucault, Las Meninas illustrates the first signs of a new episteme, or way of thinking. It represents a midpoint between what he sees as the two "great discontinuities" in European thought, the classical and the modern: Perhaps there exists, in this painting by Velázquez, the representation as it were of Classical representation, and the definition of the space it opens up to us. representation, freed finally from the relation that was impeding it, can offer itself as representation in its pure form. 64] 66] Now he (the painter) can be seen, caught in a moment of stillness, at the neutral centre of his oscillation. His dark torso and bright face are half-way between the visible and the invisible: emerging from the canvas beyond our view, he moves into our gaze; but when, in a moment, he makes a step to the right, removing himself from our gaze, he will be standing exactly in front of the canvas he is painting; he will enter that region where his painting, neglected for an instant, will, for him, become visible once more, free of shadow and free of reticence. As though the painter could not at the same time be seen on the picture where he is represented and also see that upon which he is representing something. 67] In the conclusion of The Order of Things Foucault explained why he undertook such a forensic analysis of Las Meninas: let us, if we may, look for the previously existing law of that interplay [i. e., the law of representation] in the painting of Las Meninas… In Classical thought, the personage for whom the representation exists, and who represents himself within it, recognizing himself therein as an image or reflection, he who ties together all the interlacing threads of the 'representation in the form of a picture or table'—he is never to be found in that table himself. Before the end of the eighteenth century, man did not exist—any more than the potency of life, the fecundity of labour, or the historical density of language. He is a quite recent creature, which the demiurge of knowledge fabricated with its own hands less than two hundred years ago: but he has grown old so quickly that it has been only too easy to imagine that he had been waiting for thousands of years in the darkness for that moment of illumination in which he would finally be known. [68] Foucault's analysis of Las Meninas, although on one level a contribution to art history, is more about epistemology, specifically the 'cognitive status of the modern human sciences. 69] Las Meninas as culmination of themes in Velázquez [ edit] Many aspects of Las Meninas relate to earlier works by Velázquez in which he plays with conventions of representation. In the Rokeby Venus —his only surviving nude—the face of the subject is visible, blurred beyond any realism, in a mirror. The angle of the mirror is such that although "often described as looking at herself, she] is more disconcertingly looking at us. 70] In the early Christ in the House of Martha and Mary of 1618, 71] Christ and his companions are seen only through a serving hatch to a room behind, according to the National Gallery (London) who are clear that this is the intention, although before restoration many art historians regarded this scene as either a painting hanging on the wall in the main scene, or a reflection in a mirror, and the debate has continued. [72] 73] The dress worn in the two scenes also differs: the main scene is in contemporary dress, while the scene with Christ uses conventional iconographic biblical dress. This is also a feature of Los Borrachos of 1629, where contemporary peasants consort with the god Bacchus and his companions, who have the conventional undress of mythology. In this, as in some of his early bodegones, the figures look directly at the viewer as if seeking a reaction. In Las Hilanderas, probably painted the year after Las Meninas, two different scenes from Ovid are shown: one in contemporary dress in the foreground, and the other partly in antique dress, played before a tapestry on the back wall of a room behind the first. According to the critic Sira Dambe, aspects of representation and power are addressed in this painting in ways closely connected with their treatment in Las Meninas. 6] In a series of portraits of the late 1630s and 1640s—all now in the Prado—Velázquez painted clowns and other members of the royal household posing as gods, heroes, and philosophers; the intention is certainly partly comic, at least for those in the know, but in a highly ambiguous way. [74] Velázquez's portraits of the royal family themselves had until then been straightforward, if often unflatteringly direct and highly complex in expression. On the other hand, his royal portraits, designed to be seen across vast palace rooms, feature more strongly than his other works the bravura handling for which he is famous: Velázquez's handling of paint is exceptionally free, and as one approaches Las Meninas there is a point at which the figures suddenly dissolve into smears and blobs of paint. The long-handled brushes he used enabled him to stand back and judge the total effect. 32] Influence [ edit] In 1692, the Neapolitan painter Luca Giordano became one of the few allowed to view paintings held in Philip IV's private apartments, and was greatly impressed by Las Meninas. Giordano described the work as the "theology of painting. 42] and was inspired to paint A Homage to Velázquez ( National Gallery, London. 76] By the early 18th century his oeuvre was gaining international recognition, and later in the century British collectors ventured to Spain in search of acquisitions. Since the popularity of Italian art was then at its height among British connoisseurs, they concentrated on paintings that showed obvious Italian influence, largely ignoring others such as Las Meninas. [77] An almost immediate influence can be seen in the two portraits by Mazo of subjects depicted in Las Meninas, which in some ways reverse the motif of that painting. Ten years later, in 1666, Mazo painted Infanta Margaret Theresa, who was then 15 and just about to leave Madrid to marry the Holy Roman Emperor. In the background are figures in two further receding doorways, one of which was the new King Charles (Margaret Theresa's brother) and another the dwarf Maribarbola. A Mazo portrait of the widowed Queen Mariana again shows, through a doorway in the Alcázar, the young king with dwarfs, possibly including Maribarbola, and attendants who offer him a drink. [78] Mazo's painting of The Family of the Artist also shows a composition similar to that of Las Meninas. Francisco Goya etched a print of Las Meninas in 1778, 79] and later used Velázquez's painting as the model for his Charles IV of Spain and His Family. As in Las Meninas, the royal family in Goya's work is apparently visiting the artist's studio. In both paintings the artist is shown working on a canvas, of which only the rear is visible. Goya, however, replaces the atmospheric and warm perspective of Las Meninas with what Pierre Gassier calls a sense of "imminent suffocation. Goya's royal family is presented on a "stage facing the public, while in the shadow of the wings the painter, with a grim smile, points and says: Look at them and judge for yourself! " 75] The 19th-century British art collector William John Bankes travelled to Spain during the Peninsular War (1808–1814) and acquired a copy of Las Meninas painted by Mazo, 80] which he believed to be an original preparatory oil sketch by Velázquez—although Velázquez did not usually paint studies. Bankes described his purchase as "the glory of my collection" noting that he had been "a long while in treaty for it and was obliged to pay a high price. 81] The copy was admired throughout the 19th century in Britain, and is now in Kingston Lacy. Recently there have been suggestions that it might be by Velázquez after all (see below. A new appreciation for Velázquez's less Italianate paintings developed after 1819, when Ferdinand VII opened the royal collection to the public. [80] In 1879 John Singer Sargent painted a small-scale copy of Las Meninas, and in 1882 painted a homage to the painting in his The Daughters of Edward Darley Boit, while the Irish artist Sir John Lavery chose Velázquez's masterpiece as the basis for his portrait The Royal Family at Buckingham Palace, 1913. George V visited Lavery's studio during the execution of the painting, and, perhaps remembering the legend that Philip IV had daubed the cross of the Knights of Santiago on the figure of Velázquez, asked Lavery if he could contribute to the portrait with his own hand. According to Lavery, Thinking that royal blue might be an appropriate colour, I mixed it on the palette, and taking a brush he [George V] applied it to the Garter ribbon. 80] Between August and December 1957, Pablo Picasso painted a series of 58 interpretations of Las Meninas, and figures from it, which currently fill the Las Meninas room of the Museu Picasso in Barcelona, Spain. Picasso did not vary the characters within the series, but largely retained the naturalness of the scene; according to the museum, his works constitute an "exhaustive study of form, rhythm, colour and movement. 82] A print of 1973 by Richard Hamilton called Picasso's Meninas draws on both Velázquez and Picasso. [83] Photographer Joel-Peter Witkin was commissioned by the Spanish Ministry of Culture to create a work titled Las Meninas, New Mexico (1987) which references Velázquez's painting as well as other works by Spanish artists. [84] In 2004, the video artist Eve Sussman filmed 89 Seconds at Alcázar, a high-definition video tableau inspired by Las Meninas. The work is a recreation of the moments leading up to and directly following the approximately 89 seconds when the royal family and their courtiers would have come together in the exact configuration of Velázquez's painting. Sussman had assembled a team of 35, including an architect, a set designer, a choreographer, a costume designer, actors, actresses, and a film crew. [85] A 2008 exhibition at the Museu Picasso called "Forgetting Velázquez: Las Meninas " included art responding to Velázquez's painting by Fermín Aguayo, Avigdor Arikha, Claudio Bravo, Juan Carreño de Miranda, Michael Craig-Martin, Salvador Dalí, Juan Downey, Goya, Hamilton, Mazo, Vik Muniz, Jorge Oteiza, Picasso, Antonio Saura, Franz von Stuck, Sussman, Manolo Valdés, and Witkin, among others. [86] 87] In 2009 the Museo del Prado launched a project facilitating access to Las Meninas in mega high resolution through the Internet. [88] In 2010 and 2011 Felix de la Concha created Las Meninas Under An Artificial Light. It is a meticulous copy made in Iowa City, painted in oil on 140 panels, which together reconstruct the actual size of the painting of 318 x 276 cm. To this, 30 cm on its left side were added to reflect the loss to the original from the fire at the Alcazar in 1734. This provides a new reading to the composition. His work also highlights, with its fragmentation, the artificiality of reproduction as a way of seeing works of art today. Las Meninas under an artificial light has been on public display since 2018 at the NH Hotel in Zamora, Spain. [89] Kingston Lacy version [ edit] Bankes' smaller version of the painting is now in the country house of Kingston Lacy in Dorset. [90] Several experts, including the former Curator of the Department of Renaissance and Baroque Painting in the Museo del Prado and current Director of the Moll Institute of Studies of Flemish Paintings, in Madrid, Professor Matías Díaz Padrón, suggest that this "could be a model" painted by Velázquez before the completed work which hangs in the Museo del Prado, perhaps to be approved by the king. [91] Conflicting with this is the fact that the Kingston Lacy version represents the final state of Las Meninas, not the earlier state of the painting revealed by radiographs, suggesting that it was painted after the completed work, not before it. [92] The usual attribution since the 19th century has been that the Kingston Lacy painting is a copy by Juan Bautista Martínez del Mazo (c. 1612-1667) son-in-law and close follower of Velázquez. [91] The version is missing some of the final work's details and nuances such as the royal couple's reflection in the mirror. Its composition is almost identical to the original. Although its colours are lighter, the light is less strong. Pencil lines outlining the Infanta's face, eyes, and hair are also visible. [93] The Kingston Lacy painting was previously owned by Gaspar Melchor de Jovellanos and then by Ceán Bermúdez, who were both friends of Goya whose portraits he painted. Bermúdez's writings on the painting were published posthumously in 1885. [94] Notes [ edit] The name is sometimes given in print as Las Meniñas, but there is no word " meniña " in Spanish. The word means "girl from a noble family brought up to serve at court. Oxford Concise Spanish Dictionary) and comes from menina, the Portuguese word for "girl. This misspelling may be due to confusion with niña, the Spanish word for "girl. ^ The work was evacuated to Geneva by the Republican Government, together with much of the Prado's collection, during the last months of the Spanish Civil War, where it hung in an exhibition of Spanish paintings in 1939, next to Pablo Picasso 's Guernica. [19] 20] Maria Theresa was by then queen of France as wife of Louis XIV of France. Philip Prospero, Prince of Asturias, was born the following year, but died at four, shortly before his brother Charles II was born. One daughter from this marriage, and five from Philip's first marriage, had died in infancy. References [ edit] In 1855, William Stirling wrote in Velázquez and his works: Velázquez seems to have anticipated the discovery of Daguerre and, taking a real room and real people grouped together by chance, to have fixed them, as it were, by magic, for all time, on canvas. López-Rey (1999) Vol. I, p. 211 ^ a b Kahr (1975) p. 225 ^ Lord Sutherland Gower F. S. A., R. (1900. Sir Thomas Lawrence. London, Paris & New York: Goupil & co. p. 83. Retrieved 4 June 2013. ^ a b Honour and Fleming (1982) p. 447 ^ Prado (1996) p. 216 ^ a b Dambe, Sira. "Enslaved sovereign: aesthetics of power in Foucault, Velázquez and Ovid. Journal of Literary Studies, December 2006. ^ a b Carr (2006) p. 46 ^ Mariana of Austria had originally been betrothed to Balthasar Charles. ^ Canaday, John. Baroque Painters. (First published in 1969, in The Lives of the Painters. New York: Norton Library, 1972. See also: Kahr (1975) quoting Pacheco. ^ Alpers (2005) p. 183 ^ Levey, Michael. Painting at Court. London: Weidenfeld & Nicolson, 1971, p. 147 ^ Palomino, Antonio. El museo pictorico y escala optica. Madrid, 1715-1724. v. 2, p. 342-343 ^ a b c López-Rey (1999) Vol. I, p. 214 ^ There is no documentation as to the dates or reasons for the trimming. López-Rey states that the truncation is more notable on the right. López-Rey (1999) Vol. II, p. 306 ^ a b c Records of 1735 show that the original frame was lost during the painting's rescue from the fire. The appraisal of 1747–48 makes reference to the painting having been "lately restored. López-Rey (1999) Vol. II, pp. 306, 310 ^ a b c López-Rey (1999) Vol. II, pp. 310–11 ^ Editorial. The cleaning of 'Las Meninas. The Burlington Magazine, 1985. Retrieved 22 December 2007. ^ Zeri, Federico; Behind the Image, the art of reading paintings. London: Heinemann, 1990, p. 153. ISBN   0-434-89688-8 ^ Held & Potts (1988) Russell (1989) McKim-Smith, G., Andersen-Bergdoll, G., Newman, R. Examining Velazquez, Yale University Press, 1988 ^ Diego Velázquez, Las Meninas, ColourLex ^ a b c Alpers (2005) p. 185 ^ Gaggi (1989) p. 1 ^ a b c d White (1969) p. 143 ^ and a couple of Lyme-hounds of singular qualities which the King and Queen in very kind manner accepted" Chronicle of the Kings of England" p408. Richard Biker Sawbridge 1684 ^ a b c d Stone (1996) p. 35 ^ Leppanen, Analisa, Into the house of mirrors: the carnivalesque in Las Meninas" Aurora, Vol. 1, 2000, page numbers unknown. ^ Snyder (June 1985) p. 571 ^ a b c Carr (2006) p. 47 ^ Antonio Palomino, 1724. Quoted in: Kahr (1975) p. 225 ^ a b Honour and Fleming (1982) p. 449 ^ a b Janson (1973) p. 433 ^ Snyder (1985) p. 547 ^ Gaggi (1989) p. 3 ^ White (1969) p. 144 ^ The Story of Art, ch. 19 ^ López-Rey (1999) Vol. I, pp. 214–16 ^ Steinberg (1981) p. 52 ^ Kahr (1975) p. 244 ^ a b Clark (1960) pp. 32–40 ^ a b White (1969) pp. 140–41 ^ Steinberg (1981) p. 51 ^ Foucault (1966) p. 21 ^ Ortega y Gasset, p. XLVII ^ The composition is anchored by the two strong diagonals that intersect at about the spot where the Infanta stands. López-Rey (1999) p. 217 ^ Miller (1998) pp. 78–79 ^ López-Rey (1999) p. 217 ^ López-Rey (1999) pp. 216–217 ^ Stone (1996) p. 37 ^ Kahr (1975) p. 240 ^ Gaggi (1989) p. 2 ^ Snyder and Cohn (1980) p. 485 ^ Lowrie, Joyce (1999. Barbey D'Aurevilly's Une Page D'Histoire: A poetics of incest. Romanic Review, Vol. 90, Issue 3, pp. 379–395 ^ Snyder (1985) p. 559 ^ Snyder (1985) p. 564 ^ Campbell, Lorne. "The Fifteenth Century Netherlandish Paintings" National Gallery Catalogues (new series) London, 1998, ISBN   1-85709-171-X. ^ Lucien Dällenbach (1977. Le récit spéculaire: Essai sur la mise en abyme. Paris: Seuil, p. 21. Quoted in English in Harriet Stone (1996) The Classical Model: Literature and Knowledge in Seventeenth-Century France. Cornell University Press; p. 29 ^ Miller (1998) pp. 78, 12 ^ a b Carr (2006) p. 50 ^ López-Rey (1999) Vol. II, p. 308 ^ Alpers (2005) p. 150 ^ Kahr (1975) p. 241 ^ a b c Gresle, Yvette. Foucault's 'Las Meninas' and art-historical methods. Journal of Literary Studies, retrieved 1 December 2008. ^ Foucault (1966) pp. 4–5 ^ Foucault (1966) p. 18 ^ Foucault (1966) pp. 3–4 ^ Foucault (1966) pp. 306–307 ^ Gutting, Gary. Michel Foucault's Archaeology of Scientific Reason. Cambridge University Press, 1989. ISBN   0521366984, p. 139. ^ Miller (1998) p. 162 ^ According to López-Rey. The Arnolfini Portrait] has little in common with Velázquez' composition, the closest and most meaningful antecedent to which is to be found within his own oeuvre in Christ in the House of Martha and Mary, painted almost forty years earlier, in Seville, before he could have seen the Arnolfini portrait in Madrid. In López-Rey, Vol. I, p. 214 ^ The restoration was in 1964, and removed earlier "clumsy repainting. MacLaren (1970) p. 122 ^ Jonathan Miller, for example, in 1998, continued to regard the inset picture as a reflection in a mirror. Miller (1998) p. 162 ^ Prado (1996) pp. 428–31 ^ a b Gassier (1995) pp. 69–73 ^ Brady (2006) p. 94 ^ Brady (2006) p. 97 ^ MacLaren (1970) pp. 52–53. National Gallery Archived 24 October 2007 at the Wayback Machine The painting has been cut down. ^ Gassier, Pierre (1995. Goya: Biographical and Critical Study. New York: Skira, p. 24. Image Archived 27 February 2008 at the Wayback Machine ^ a b c Brady (2006) pp. 100–101 ^ Harris, E (1990. Velázquez y Gran Bretana. Symposium Internacional Velázquez, Seville, p. 127 ^ a b " Picasso. Museu Picasso. Retrieved 19 November 2007. Archived copy at the Portuguese Web Archive (14 July 2009... Picasso's meninas 1973. See The Tate Gallery 1982–84: Illustrated Catalogue of Acquisitions. Tate Gallery, London, 1986. Retrieved 26 December 2007. ^ Parry, Eugenia; Witkin, Joel-Peter (2001) Joel-Peter Witkin, Phaidon, p. 66, ISBN   978-0-7148-4056-7 ^ Sawkins, Annemarie. Eve Sussman's 89 Seconds at Alcázar. Marquette University. Retrieved 7 December 2007. Archived 19 December 2007 at the Wayback Machine ^ Forgetting Velázquez. Las Meninas, Museu Picasso of Barcelona, 2008, retrieved 22 October 2009 ^ Utley, Gertje; Gual, Malén (2008) Olvidando a Velázquez: Las Meninas, Barcelona: Museu Picasso, ISBN   978-84-9850-089-9 ^ Las 14 obras maestras del museo del Prado en mega alta resolución en Google Earth ^ Una réplica exacta de Las Meninas en Zamora. troceada' en 140 fragmentos ^ Velázquez portrait has pride of place in Prado – but original may be in Dorset" The Guardian. Retrieved 3 October 2013. ^ a b Velázquez Painted 2 Meninas ^ «Página web sobre la versión de Kingston Lacy». Consultado el 24-3-2011. ^ Justi 1999: p. 647 ^ Marías 1999: p. 162 Sources [ edit] Alpers, Svetlana (2005. The Vexations of art: Velázquez and others. New Haven: Yale University Press, 2005. ISBN   0-300-10825-7 Brady, Xavier. Velázquez and Britain. New Haven: Yale University Press, 2006. ISBN   1-85709-303-8 Carr, Dawson W. "Painting and reality: the art and life of Velázquez. Velázquez. Eds. Dawson W. Carr and Xavier Bray. National Gallery London, 2006. ISBN   1-85709-303-8 Clark, Kenneth. Looking at Pictures. New York: Holt Rinehart and Winston, 1960. Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. 1966. Paris: Gallimard, 1996. ISBN   0-679-75335-4 Gaggi, Silvio. Modern/Postmodern: A Study in Twentieth-century Arts and Ideas. Philadelphia: University of Pennsylvania Press, 1989. ISBN   0-8122-1384-X Held, Jutta and Alex Potts. How Do the Political Effects of Pictures Come about? The Case of Picasso's Guernica. Oxford Art Journal 11. 1 (1988) 33–39. Honour, Hugh and John Fleming. A World History of Art. London: Macmillan, 1982. ISBN   1-85669-451-8 Janson, H. History of Art: A Survey of the Major Visual Arts from the Dawn of History to the Present Day. 2nd ed. Englewood Cliffs, New Jersey: Prentice-Hall, 1977. Kahr, Madlyn Millner. Velazquez and Las Meninas. The Art Bulletin 57(2) June 1975) 225–246. López-Rey, José. Velázquez: Catalogue Raisonné. Taschen, 1999. ISBN   3-8228-8277-1 MacLaren, Neil. The Spanish School, National Gallery Catalogues. Rev. Allan Braham. National Gallery, London, 1970. ISBN   0-947645-46-2 Miller, Jonathan. On reflection. London: National Gallery Publications Limited, 1998. ISBN   0-300-07713-0 Museo del Prado. Museo del Prado, Catálogo de las pinturas. Madrid: Ministerio de Educación y Cultura, Madrid, 1996. ISBN   84-7483-410-4 Ortega y Gasset, José. New York: Random House, 1953. Russell, John. Masterpieces caught between two wars. The New York Times, 3 September 1989. Retrieved 15 December 2007. Snyder, Joel and Ted Cohen. "Reflexions on Las Meninas: paradox lost. Critical Inquiry 7 (Winter 1980. Snyder, Joel. Las Meninas and the Mirror of Prices. Critical Inquiry 11. 4 (June 1985) 539–72. Steinberg, Leo. "Valazquez' Las Meninas " October 19 (Winter 1981) 45–54. Stone, Harriet. The Classical Model: Literature and Knowledge in Seventeenth-century France. Ithaca: Cornell University Press, 1996. ISBN   0-8014-3212-X White, Jon Manchip. Diego Velázquez: Painter and Courtier. London: Hamish Hamilton Ltd, 1969. ISBN   0-241-01624-X McKim-Smith, G., Andersen-Bergdoll, G., Newman, R. Examining Velazquez, Yale University Press, 1988 Further reading [ edit] Brooke, Xanthe. "A masterpiece in waiting: the response to 'Las Meninas' in nineteenth century Britain" in Stratton-Pruitt, Suzanne, ed. Velázquez's 'Las Meninas. Cambridge: Cambridge University Press, 2003. ISBN   0-521-80488-4. Liess, Reinhard. Im Spiegel der Meninas. Velásquez über sich und Rubens. Goettingen: V&Runipress, 2003, ISBN   3-89971-101-7 Searle, John R. Las Meninas and the paradoxes of pictorial representation. Critical Inquiry 6 (Spring 1980. External links [ edit] External video Velázquez's Las Meninas, Smarthistory Museo Picasso Las Meninas A Hypertextual Study of Velázquez's Las Meninas, 1996 by Joan Campàs Montaner, professor of Digital art and Hypertext of the Universitat Oberta de Catalunya. La Kabala y Las Meninas (in Spanish) Las Meninas at the Electronic Visualization Lab at the University of Illinois at Chicago Educational audio tour of Las Meninas Velázquez, exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF) which contains material on Las Meninas (see index.

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Canili Dadda ‘Sencillamente impresionante…Totalmente instrumental y de temas largos se compone este ‘Pomeroy, con cortes de ritmo, riffs ‘raros y melodías tremendamente elaboradas, donde sencillamente, los instrumentos hablan Metal Total ‘Jardín de la Croix nos ofrecen 6 canciones arriesgadas, complejas y que huyen de toda etiqueta, disparando riffs de guitarra y cambios de ritmo a cada momento, alternando con partes de bajo y bonitos punteos y sobretodo manteniendo todo el rato al oyente pendiente sin llegar a hacerse cansinos ni centrarse únicamente en demostrar lo bien que saben tocar sino creando grandes ambientes y melodías Zona-Zero 9/10 ‘Una bomba, una explosión de adrenalina… trabajo redondo, que convierte a estos cuatro madrileños (Ander, Pablo, Hugo e Isra) en un grupo a tener muy presente para los amantes de las guitarras matemáticas, experimentales y ensoñadoras. Pomeroy es de lo mejor que se ha publicado este año en España y no tiene discográfica. Esperemos que en breve podamos leer que hay una continuación suya RetroMúsica ‘Puedo decir sin miedo a equivocarme que Jardín de la Croix es una de las mejores bandas nacionales sin sello discográfico Feiticeira 8. 3/10 ‘Sin duda nos encontramos ante un álbum de obligada escucha para los amantes del género, pero también para aquellos oídos inquietos que no estén cerrados ante nuevas propuestas sonoras. Y es que este Pomeroy (2008) no solo destaca por su calidad y su nivel de ejecución, sino también por la simplicidad y facilidad con la que se puede transitar desde el principio del disco hasta el final, sumiéndonos en un dulce y ligero trance, pero también en un camino lleno de cambios y giros que abarcan desde las melodías limpias a las explosiones inesperadas de contundencia, abordado todo ello con una gran precisión, sin excesivos e innecesarios alardes de virtuosismo, algo que muy pocas bandas dentro del género son capaces de conseguir The NotDeadWebzine ‘Jardín de la Croix destacan por su toque experimental, arriesgado, directo y guitarrero que recuerda por momentos a Battles o Mars Volta. Gente joven retomando un estilo clásico y actualizándolo, con un resultado realmente excitante y prometedor, y con una tríada mágica que forman sus tres primeros temas (‘Polyhedron, ‘Jesse Harding y ‘Suomi) que no puedo esperar a disfrutar en directo algún día Subnoise 8/10 ‘Un disco raruno no apto para mentes débiles, repleto de riffs, breaks, ritmos entrecortados y demás locuras experimentales Hipersonica ‘A young and high promising complex rock band Corazine ‘¿Porqué a tenido que pasar tanto tiempo para poder disfrutar de un grupo de la calidad de estos madrileños? ¿Por qué todo el mundo que ha intentado hacer algo de este rollo nunca ha llegado a este nivel? Arto! de Madriz ‘this album weaves tranquil, ornate music with flair of honesty…it is an album born of intense love for progressive rock and making music, and thats something I can say for less than 10% of prog bands around today The aparattus 8. 1/10 ‘Riffs alocados, ritmos freneticos y un sinfin de cambios dan forma a una propuesta dirigida a un publico minoriario que viene demandando desde hace tiempo sonidos algo más especializados Mondosonoro ‘A caballo entre un ep y un larga duración creo que no nos hace falta mucho más material para darnos cuenta rápidamente de que estamos ante uno de los mejores discos del panorama nacional de este año Calculando el infinito ‘Absolute must have for all Don Caballero fans. Actually absolute must for everyone whos reading this ‘Uno de los mejores discos de rock instrumental, gratis y legal, encontrados en la red Sesion Futura ‘Seis temas que en total pasan de 40 minutos, con una calidad degrabación excelente y que de principio a fin mantienen el interés deloyente. Jardín de la Croix sorprenden con este magnífico debut que no se debería dejar pasar de ninguna de las maneras. Furia contra la máquina ‘Amazing debut album. 6 self produced tracks. Over 40 minutes of intense progresive music MasterToaster Recordings ‘Posiblente los padres de uno de los mejores discos de 2008 Rockstyle ‘Su disco no se limita a ser uno más dentro de algo que lleva años existiendo…Sin duda su debut eclipsará en el juicio de más de uno a grandes obras del 2008 en su apartado, véase el propio disco de los mismísimos Don Caballero RockCore(4. 5/5) ‘This is one of the first time I have listened to a band and felt the math rock moniker made sense. This is music that is thought out like an equation but it doesnt subtract from the excitement these musicians can generate Albums Galore ‘Perfectly executed and written, their debut outing oozes of swirling guitars and permanently varying motifs, both highlighted through the complex drumming and the absence of any kind of vocals ‘ Wobbel Blog ‘Una magistral clase de rock matemático rozando a los imposibles ‘Maps & Atlases pero combinándolos con solos, riffs, punteos… La madriguera 7/10 ‘Jardín de la Croix, música clásica del siglo XXI, volvemos a donde lo importante es el sonido, donde el ritmo, intensidad y matiz son los protagonistas Gramófono en la red ‘Jardín de la Croix is one of the most exciting secrets currently existing in the experimental arena of Spains rock. This instrumental quartet creates a muscular and complex framework whose main nucleus comprises elements of psychedelic prog, math-rock and prog meta Prog Archives 4/5 ‘Jardín de la Croix constituye una referencia interesante e importante para la vertiente progresiva de math-rock que se desarrolla fuera de las escenas musicales angloparlantes: en efecto, el material de su disco debut “Pomeroy” revela inagotables secuencias de ambientes sofisticados, esquemas rítmicos complejos y vibraciones contundentes Autopoietican.

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Cherie Hollis country=USA A Christian documentary diving into the sex trafficking industry in the US exposing the darkness that fuels demand, highlighting survivors' transformations through Christ, and showing Christ as the hope for all involved Year=2020. The idea here is simple: To make space for anyone interested in exploring resources, authors, theologians and practical tips for increasingly accessible faith communities. Thanks to the example of Joni Eareckson Tada I knew that God could do great things through people with disabilities, but for the first 20 years of my life I wanted little to do with disability. Despite my need for a power wheelchair, limited fine motor skills and significant visual impairment, I wanted to lead a “normal” life as far away from disability as possible. … Read More → In Bekoji, Ethiopia, a place that housed tools of war is becoming a place that will offer supports which will nourish and grow the community. This is all because its members now rightly believe that their children with disabilities are image-bearers of God. Thats a light I can live in. … Read More → We can look forward to Jesus returning and the glory of the Lord being revealed when the playing field is leveled for the oppressed. Then all people will have equal opportunity to serve God and enjoy the abundant life that He offers. Removing a barrier is not just about helping someone else to enjoy full participation: it is about demonstrating how God loves all people and wants everyone to live life to the fullest. … Read More → On the Road to Emmaus, Jesus strategy is to walk alongside the followers for a long while, allowing them to tell their whole story. Similarly, matching the pace of someone else and demonstrating that we are truly listening, even though it may be hard to relate is a way to show that they are valued. … Read More → In John 14 Thomas is quite concerned that he will not find the way to God on his own. Jesus provides reassurance that the journey of faith does not depend on whether we can see or understand Gods directions. Rather, it depends on our ongoing relationship with Jesus Christ and our willingness to trust him step-by-step. … Read More → Seeking Gods kingdom and his righteousness is about more than making God your first priority and engaging in spiritual disciplines. Seeking Gods kingdom also means responding to the injustices that we or others experience and advocating for Gods kingdom values like love, inclusion and accessibility for all. … Read More → This young girls response not only shows that most people have the capacity to understand how to provide effective support to another person simply by observing and interacting with them thereby demystifying some of the potential challenges to supporting people with disabilities. The principle of watching and learning is also valuable when it comes to matters of faith. … Read More → This webinar explores how the church as the body of Christ can support families who are raising children with disabilities and share their joy and suffering. Two models of support ministry will be presented, followed by a brief panel discussion and time for questions. … Read More → As my husband, Jonathan, and I have talked with other parents of kids with disabilities or special needs, weve learned that I was definitely not alone with my questions and struggles. Questions and struggles not only in relation to God, but also in relation to how to navigate this life as a parent with a child who has additional needs. But, who do we go to with our questions? Who do we go to for support on days when life is overwhelming and often others just dont “get it”? Hope Anew is launching an online community for parents of kids with disabilities or special needs. A laugh together, cry together, pray together community. … Read More → In this third video from David Fitch, he talks about the different ways of engaging with people in three ‘circles of interaction with ones faith community, ones home or small group, and in ones neighbourhood or community. Practicing faithful presence with one another means being present in all three circles. … Read More →.

I watched it, it was really really good, something very unexpected and emotional. The boy in the light green shirt is so cute. Please pray for me and my children for deliverance from demons and evil spirits. Thanks. Título original Blind Eyes Opened Año 2020 Duración 115 min. País Estados Unidos Dirección Geoffrey Rogers Guion Cherie Hollis, Natalie Kehn, Sarah Manson, Geoffrey Rogers, Kerri Rogers, Larry Wiezycki Fotografía Jeffrey Carter Reparto Documentary Productora KnockTV / Polyphonic Image / Ships of Tarshish Género Documental, Religión Sinopsis Documental cristiano que indaga en la industria del tráfico sexual en los Estados Unidos. Tu crítica Votaciones de almas gemelas Regístrate y podrás acceder a recomendaciones personalizadas según tus gustos de cine Votaciones de tus amigos Regístrate y podrás acceder a todas las votaciones de tus amigos, familiares, etc. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Si no estás registrad@ puedes contactarnos vía Twitter, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras.

I just have returned from watching this in IMAX. Just wanted to say what an amazing film. It kept me riveted all the way through. I would highly recommend. Free stream blind eyes opened back. Tadalu: Part One Under conditions that would make any North American surgeon cringe, our dear friend and partner in medical missions, Dr. Asrat performed cataract surgeries on 40 residents of the Harbu Chulule region. Only days earlier these patients came for screening led by their relatives; today they have sight! The most astounding story of healing is that of Tadalu. The second week of the Hopethiopia/s Ophthalmic Clinic at Harbu Chulules medical center began with a crowd of blind people clamoring for medical attention. Much to our dismay, it was too late; all 40 spots for cataract surgeries were full and the doctor was scheduled to operate the entire day. In the midst of these desperate people, there she was, with her elderly mother, sitting silently … waiting in anticipation: Tadalu, her name meaning Blessed. It was obvious, even to the untrained, that she was blind, as the lower half of both corneas were opaque. The extent of her blindness was unknown until Dr. Asarat examined her. As he did so, he began to explain all the parts of her eyes that had been damaged by what he suspected was German Measles; she was completely and bilaterally blind, incapable of detecting any light. This was her state for the last 17 years; a blindness that brought with it such a strong stigma it caused her husband to abandon her and their child. The damage to her eyes was extensive and Dr. Asrat said “we” could do nothing for her. So, we simply asked God to heal her. One of our team members prayed for her once … nothing changed … he prayed for her a second time and within seconds, Tadalu reported that she saw a shadow. Dr. Asrat came running and re-examined her eyes. Sure enough there was change! As he shone the light in her eye, she saw it! Wide-eyed and excitedly he declared, “I can get this. I want to do this eye. ” In the context of the little health clinic normally it takes approximately 20 minutes per eye for cataract surgery; Dr. Asrat spent 1-½ hours working on her left eye. What a privilege it was for those of us who bore witness to the most difficult case he had encountered in his 17 years of his ophthalmology practice! He implanted a lens, and closed up; as he did so he stated, “She should have sight tomorrow! ” Waiting for our vehicles to transport us back to our rooms, the team stood silently under the vast and starry Ethiopian sky in awe of what the God of the Universe had brought that day … to one of the least of these … a miracle. But the miracle had not yet been fully facilitated; Dr. Asrat had a sleepless night thinking about Tadalu. When we arrived at the clinic the next morning, I raced back to the makeshift operating room. Peeking my head into the entrance to the O. R., I inquired into the condition of our patient. Instead of an answer, I got an invitation to gown up and join them. You see, Tadalu awoke with sight … she could see fingers at a distance of one meter … but there was a floater that had detached itself and was now floating suspended within her line of vision … it had to go; so Dr. Asrat went in and got it! As he completed the surgery, I asked Dr. Asrat how he will tell this story. Looking up from his microscope he replied with confidence, “Its just God. ” Post-operatively, I spoke with Taladu and her mother about what had transpired over the past two days. People gathered as we spoke, to hear of Gods amazing grace … the extents that God will go to for “the one”; the testimony of His love and faithfulness will spread … no doubt! Rejoice with us and celebrate the success of the mission God invited us to participate in. Tadalu: Part One Current News, Mission Trips.

When I was high School my favorite song ever his story in real life same as what happened singer Danny Gokey I was listening in high school year ( I Still Believe & Tell You Heart To Beat Again. Just Mercy? Looks like Just Oscars, to me. YouTube Blind Eyes Opened. Treasury of Scripture To open the blind eyes, to bring out the prisoners from the prison, and them that sit in darkness out of the prison house. open Isaiah 42:16 And I will bring the blind by a way that they knew not; I will lead them in paths that they have not known. Isaiah 29:18 And in that day shall the deaf hear the words of the book, and the eyes of the blind shall see out of obscurity, and out of darkness. Isaiah 35:5 Then the eyes of the blind shall be opened, and the ears of the deaf shall be unstopped. Psalm 146:8 The LORD opens the eyes of the blind: the LORD raises them that are bowed down: the LORD loves the righteous: Matthew 11:5 The blind receive their sight, and the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up. Luke 24:45 Then opened he their understanding, that they might understand the scriptures, John 9:39 And Jesus said, For judgment I am come into this world, that they which see not might see; and that they which see might be made blind. Acts 26:18 To open their eyes, and to turn them from darkness to light, and from the power of Satan to God. 2 Corinthians 4:6 For God, who commanded the light to shine out of darkness, has shined in our hearts. Ephesians 1:17, 18 That the God of our Lord Jesus Christ, the Father of glory. Revelation 3:18 I counsel you to buy of me gold tried in the fire, that you may be rich; and white raiment, that you may be clothed. to bring Isaiah 42:22 But this is a people robbed and spoiled; they are all of them snared in holes, and they are hid in prison houses: they are for a prey. Isaiah 9:2 The people that walked in darkness have seen a great light: they that dwell in the land of the shadow of death. Isaiah 49:9 That you may say to the prisoners, Go forth; to them that are in darkness, Show yourselves. They shall feed in the ways. Isaiah 61:1 The Spirit of the Lord GOD is on me; because the LORD has anointed me to preach good tidings to the meek. Psalm 107:10-16 Such as sit in darkness and in the shadow of death, being bound in affliction and iron. Psalm 146:7 Which executes judgment for the oppressed: which gives food to the hungry. The LORD looses the prisoners: Zechariah 9:11, 12 As for you also, by the blood of your covenant I have sent forth your prisoners out of the pit wherein is no water. Luke 4:18-21 The Spirit of the Lord is on me, because he has anointed me to preach the gospel to the poor; he has sent me to heal the brokenhearted. 2 Timothy 2:26 And that they may recover themselves out of the snare of the devil, who are taken captive by him at his will. Hebrews 2:14, 15 For as much then as the children are partakers of flesh and blood, he also himself likewise took part of the same. 1 Peter 2:9 But you are a chosen generation, a royal priesthood, an holy nation, a peculiar people. Strong's Concordance To open the blind eyes, to bring out the prisoners from the prison, and] them that sit in darkness out of the prison house. Topical Bible Blind Bound Bring Captives Dark Darkness Dungeon Dwell Forth Free Open Prison Prisoner Prisoners Prison-house Release Restraint Shut Sit Sitting Resources Isaiah Chapter 42 Verse 7 Alphabetical: and are blind bring captives darkness dungeon dwell eyes free from in open out prison prisoners release sit that the those to who OT Prophets: Isaiah 42:7 To open the blind eyes to bring (Isa Isi Is.


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Free stream blind eyes opened now. Free stream blind eyes opened youtube. Home The Posies The Posies - Blind Eyes Open Blind Eyes Open Artist: The Posies Album: Failure, 2014 Provided to YouTube by Omnivore Recordings Blind Eyes Open The Posies Failure 1988 PopLlama Products, under exclusive license to Omnivore Recordings Writer: Jonathan Auer/Kenneth Stringfellow Auto-generated by YouTube. Show more Has been played on Russia 1 United States Install the free Online Radio Box application for your smartphone and listen to your favorite radio stations online - wherever you are.

Free Stream Blind Eyes. It's not about the pastor is the work miraculous God he's doing thank you Lord for making this child to see again. Just watched azing film. Oscar worthy performance by Michael n Jamie 💯🔥🌹.

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Free Stream Blind Eyes openedition. This looks as if Jamie fox is back on track. When this guy plays another great man from the past he taps into them. There soul. Whatever. That's special. And this looks like a special ericas corruption has to stop to move forward. And what a nation you can be... Only if. I love foreign horror movies. The story of Hugh Thompson, that would make a movie. Free stream blind eyes opened without. Praise God. And still this day we dont know what she did on purpose😂. That's me running across the town when my girlfriend told me that her parents and her big brothers are not at home. Myzcloud RU English ... -250 - ... A B C D E F G H I J K L M N O P Q R S T U V W X Y Z # #Dance #Italo Disco #Alternative Metal #K-Pop #Death Metal #Instrumental #Drum'n'Bass #Chillout #Hip-Hop #Classic Rock #Industrial Metal #Melodic Death #Deep House #Ambient # #Black Metal #Pop-Rock #Indie Rock #Breakbeat #Chanson Imagine Dragons Pink Floyd Imany Scorpions Queen Major Lazer The Beatles Robin Schulz Milk Inc. Blind & Eyes Open #Dance 2005 1 Blind (radio) 03:58 227 / 191 2 Blind (extended) 05:50 223 / 128 3 Eyes Open 06:49 248 / 192.

Blind Eyes Opened (2020) Full_Movies ⇨ One way to watch streaming movies. ⇨ Watch movies with just one click; ⇨ Enjoy watching! Watch Full Movie Online Complete! Watch Blind Eyes Opened your favorite Movie. Enjoy watching »»» ● Blind Eyes Opened “{2020}” Watch 4kHD ● Blind Eyes Opened “{2020}” Full Movie Online ● Blind Eyes Opened “{2020}” Watch Movie Full ● Blind Eyes Opened “{2020}” Watch Free Movie ● Blind Eyes Opened “{2020}” Watch Streaming & Online ● Blind Eyes Opened “{2020}” Online 4k Quality ● Blind Eyes Opened “{2020}” Streaming HD video ● Blind Eyes Opened “{2020}” Movie Releases ● Blind Eyes Opened “{2020}” English Full Movie blind eyes opened, movie, movies, blind eye is opened in kiania, blind, movie trailer, blind see dreams, trailer, eyes, incitement movie, as i see you movie, latest 2018 movies, new thriller movie, abominable snowman movie, in the heights movie, what blind people see, color blind people see, sandra bullock new movie 2018, kids movies, dreamworks movie, nightly news full, abominable yeti movie 2019, nbc news full, nigerian movies Blind Eyes Opened 00:00:00 HD 0 Favorite Comment 915 PlayLists Stream in HDDownload in HD Watchlist 0 RATING (0) 6. 9 STARS Watch Blind Eyes Opened (2020) Full Movie Online Free A Christian documentary diving into the sex trafficking industry in the US exposing the darkness that fuels demand, highlighting survivors transformations through Christ, and showing Christ as the hope for all involved. Genre: Drama Production Company: Release: Jan 23, 2020 Production Countries: United States of America Quality: HD Rating: Casts: Cherie Hollis, Natalie Kehn.

I was wearing blinders to stave off the reminders of your image Never contemplating the incinerating of my image The rites of spring had no meaning In my brain And I could cling icicle-ing Just the same And all the time you saw me You could not thaw me And now youve made blind eyes open Sunlight streams in Everythings clear as crystal Enlightenment Like a frozen snowfield I could never reveal My true colors I would never listen to all that I was missing With the others You stepped into my field of view And triggerd My cupid snare who would have dared to figure That all the time you saw me you could not thaw me I curse my warped perspective Just when I least expected The tables turned, the candles burn At both ends, and my nerve ends send Sensational headlines to my brain , . . , , , , , , , , , ,.

Hell yeahh. George Mackay should get an Oscar for this performance. Free Stream Blind Eyes opened. I hear the next one is just gonna be titled, Dead. No Time To Die? Then Die Another Day... Jesus Christ. I haven't seen a lot of James Bond, but It's going to be interesting to see how our latest 007 confronts these known and unknown foes! Keep it up. Michael B and brie Larson I,am soo in. YouTube. 2:33 why does he sounds like a pro stand up comedian. lol... level of savageness. Your wife is dead Can i talk to her.

Free stream blind eyes opened online. MCU: Black Widow - CGI saturated, kid friendly spy thriller. Universal: What a REAL spy thriller looks and feels like. That is the work of the mighty God we serve. Tisk na plátně & olejomalby Umělecký papír akvarelový a ručn Photo-Tableaux: Obrazy na lehké hliníkové desce anebo plexiskle Tisk na plátno s podrámem Tisk na plátno s lakem a s podrámem Tisk na plátno s podrámem o velikosti XXL Tisk na plátno s lakem a s podrámem o velikosti XXL Tisk na plátno Tisk na plátno s lakem Olejobarva na plátně (Q03) Olejobarva na plátně + podrám (2cm) Tisk na sklo (4mm) se zavěšovacím systémem Tisk na sklo (4mm) BEZ závěsnýho systému Hliníkova deska (houšťka 3 mm) inkl. se závěsným systém Magnetický obraz (houšťka 3mm) inkl. se závěsným systém Tisk na plexisklo (4mm) inkl. se závěsným systém Tisk na plexisklo (8mm) inkl. se závěsným systém Tisk na plexisklo (houšťka 10mm) inkl. se závěsným systém Tisk na masivní dřevo (houšťka 19 mm) inkl. se závěsným systém Tisk na dřevo s bílým podnátěrem (houšťka 19 mm) inkl. se závěsným systém Tisk na fotografický papír - matný (230g) 15% do 13. 02. 2020 Tisk na papír Albrecht Dürer (210g. okraj ručně trhán Tisk na papír Hahnemühle German Etching (310g. okraj ručně trhám Tisk na papír Hahnemühle German Etching (310g) Tisk na akvarelový papír William Turner (190g) Tisk na akvarelový papír William Turner (190g. okraj ručně trhán Tisk na akvarelo hadrový papír (285g) Tisk na akvarelo hadrový papír (285g. okraj ručně trhán Tisk na freso tapetu (190g) Tisk na fotografický papír - polo lesklý (250g) Tisk na fotografický papír - lesklý (250g) Tisk na papír Fine Art Baryta (325g) Lustre Satin (300g Sihl Masterclass) Tisk na plakátový papír (150g) 15% do 13. 2020.

Slijepe oči otvorene Naslov izvornika Blind Eyes Opened Godina izdanja 2019. Država SAD Jezik engleski Žanr dokumentarni Mrežno sjedište Portal o filmu Slijepe oči otvorene (eng. izvornik: Blind Eyes Opened) američki dokumentarni film. U kinima se prikazuje od 23. siječnja 2020. godine. [1] Tema [ uredi VE, uredi] Film se bavi svezom trgovine seksom i pornografije te trgovinom seksom u SAD. Sveza dviju djelatnosti je snažna. Većinom djevojke, ponekad i momci su prisilom odvedeni u proizvodnju pornografije. Često su žrtve zahtjeva da izvode čine viđene u pornografiji. Otkrilo se da se u ovoj vrsti trgovine ljudima zatočenim žrtvama često prikazuje pornografija da bi ih se naučilo kako izvoditi, da bi ih se desenzibiliziralo na nasilje, degradaciju i poniženje koje će iskusiti. Uzevši u obzir da 90 posto pornografskih videomaterijala sadrži fizičko i verbalno nasilje prema ženama, ne iznenađuje da žrtve trgovine redovito trpe nasilje i grubosti kao dodatak strahovitoj seksualnom iskorištavanju. U dokumentarcu je razotkrivena dubina trgovine seksom u SAD, uključujući i gorivo za potražnju - pornografiju. Istovremeno film hrabri građane, Crkve i zakonodavce da se bore protiv ovog razarača društva. Film također prenosi lijepe preobrazbe žrtava kroz Krista i nudi nadu pokazujući kako se može pomoći svjesnošću i dižući svoj glas. [1] Izvori [ uredi VE, uredi] Vanjske poveznice [ uredi VE, uredi] Službena stranica Trailer.

« The Posies - Blind Eyes Open ». MP3, « ». « » Blind Eyes Open MP3 7. 13 256 /c 3:53. In Theaters Jan 23 The Truth About Sex Trafficking in America Blind Eyes Opened is a first-of-a-kind Christian documentary that dives deep into the sex trafficking industry in the U. S. The film exposes the darkness that fuels demand, highlights survivors' transformations through Christ, engages lawmakers, law enforcement, organizations, ministries and experts across the country committed to ending the atrocities, all while showing Christ as the hope for all involved. Exclusive Content related events.

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Genre=Romance; average Rating=6,6 of 10 Stars; Actors=Kartik Aaryan, Bhumi Pednekar; country=India; writer=Mudassar Aziz; Pati Patni Aur Woh is a movie starring Kartik Aaryan, Bhumi Pednekar, and Ananya Panday. Chintu Tyagi is an ordinary, middle class man who finds himself torn between his wife and another woman.

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Pati patni aur woh movie free online. I show movie specially for #Ananya 😍, but Acting of Ananya & other actors are very good, specially one-liners of Kartik 😄, fresh comedy do watch guys. Who loves the ending sound of the song. Become old and cringy. Now it's not comedy to. Why did archana ma'm changed her clothes. FILHAAL TO UUN HAI K KUCH KAR NAHI SAKTE❤💔❤👏😞. I just love 'Dheeme dheeme' Those who feel so hit like 😆🤩🤩🤩🤩🤩👍👍👍👌👌. This cheating concept of comedy have. Pati Patni Aur Woh Free movie reviews. Pati patni aur woh free movie download.

I hope next time they keep eng sub

Mst👍👍👍👍👍villans and hero both epectfull. Emotion, lots of salman khan action... Awesome song. .👌. Free movie pati patni aur woh. Nice song. Why they just keep ruining all the beautiful 90s track. Bda screen rkh to koch tho dikhega. I love kartik he is very handsome...

Pati patni aur woh movie watch free online

Pati Patni Aur Woh Free movie page. Pati patni aur woh movie free download. Hindi movie pati patni aur woh free online. Pati Patni Aur Woh Free movies. Alisher agwan alakhpura bogan'nice video like you. Cheat it's rather frustrating and hurtful. No story. it at any cost. 2025 - Munna Munni Ka Munna Badnam Hoga 😂😂😂 T LİKE. I want a girlfriend who also loves reaction channels. so i can discuss all the fun 😔😁. 2:52 That cute moment, when you feel insecure for your love.

Pati patni aur woh 2019 movie online free. Pati Patni Aur Woh Free movie. Well the Marathas lost so. Pati Patni Aur Woh Free movie database.

 

 

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